Your Prose Sings. Too Bad Your Audience is Tone Deaf.

Having been subjected to all the fuss about Stephenie Meyer’s TWILIGHT series, I managed to pick up a copy and read a few paragraphs. Stephen King was right–she can’t write for beans: Her prose doesn’t sing, it mumbles. Clumsy phrasing, line after line of words that weren’t incorrect, but worse—they were wrong. Terrible stuff.

That’s it; I’m done. My slagging on Meyer’s prose is now officially over. This is not a plucking of sour grapes because Meyer’s gotten rich on stuff I wouldn’t read if you paid me. It’s not about her or even the crass commercial (I.E. Trying to Survive) publishers. This is about you. Not everyone who reads this blog is a writer, but some are. Most if not all of you would be horrified to think that someone will read something you’ve written and have the same reaction to your work that I did to Stephenie Meyer’s.

So why do you care? Probably for the same reason Stephenie Meyer likely does, and I’m giving her the benefit of the doubt here, because—outside of a few pranks pulled on PA and the Bulwer Lytton contest–I’ve never heard of anyone who deliberately set out to write badly. Continue reading