Double Down

CW Phoenix 4

It’s not often I get two author’s copies on the same day, but it happened last week as I found my contributor copies of Clockwork Phoenix #4 and The Mammoth Book of Angels and Demons crammed into my P.O. box together. I’m in loads of good company but other than that I’m not going to namedrop–follow the links above if you want to know all the goodies. For my part there’s an original story, “Beach Bum and the Drowned Girl” in CW4, and a reprint of “Sanji’s Demon” in MBOAAD. I’m being totally objective and unbiased of course when I tell you that you really should pick up both of them.

A&D

How About “Free”?

A Warrior of DreamsJust a quick note in case anyone didn’t know that LightSpeed Magazine now has reprinted “The Man Who Carved Skulls” on their website, and as of the 7th, it’s free, along with an Author Spotlight mini-interview which will tell you more than you ever wanted to know about the story and the process that put it there. It’s set in the same universe as A Warrior of Dreams, but you certainly don’t need to have read the book to follow the story.

For no particular reason, I was thinking about rewards, those little things you do for yourself when you’ve accomplished something and deserve a treat. For a good hour’s guitar practice, for instance, last night I rewarded myself by jamming along with a recording of Eric Clapton and Steve Winwood playing “Cocaine” on YouTube. It’s also practice, in that it helps with things like taking cues from other players (play softer during Eric and Steve’s solos!) and keeping in time. Also a lot more fun than doing Spider Fingers.

Then I thought about writing rewards. What’s the reward for a good day’s writing? And I realized that I don’t give myself rewards for that. I look at the words produced and that makes me feel good all by itself.

Tor.com Yamada Monogatari Sweepstakes

Final-Cover

I wouldn’t be doing my job if I didn’t mention that Tor.com is now giving away copies of Yamada Monogatari: Demon Hunter to ten (10) lucky winners. All you have to do to enter is go to the Sweepstakes Page and leave a comment. You have to be a resident of the U.S. (I know, sorry) but otherwise that’s pretty much it. A chance at a free book and all you have to do to enter is post a note attesting to your existence. Even I could manage that on a bad day, but the contest closes on March 18th at 12PM Eastern Time, so get your posts in before that.

Another Giveaway!

Step3-YamadaThere will be another (and possibly one more, but this is all for now) giveaway of Yamada Monogatari: Demon Hunter, this time at SFSignal. Follow the link for the official rules, but it’s not complicated. You don’t even have to answer any questions, other than whether you’d prefer hardcopy or ebook. You have a choice! It can’t be much simpler than that. SFSignal will also be runing an interview of me at some point in the near future, so watch this space. Unless you already follow SFSignal–and why wouldn’t you?–in which case you’ll see it there no matter what I say or don’t say here.

Ugh. Spent all day Sunday doing taxes. Well, almost all day. From about 9:30AM until 6PM. And then had a glitch with the state forms which had to be redone. Even with good tax software, it was a trial. Nothing like self-employment income for two members of the household and Federal and State forms with different rules  to complicated an already ridiculously complicated ritual. And frankly, my brain doesn’t work anymore. I’m hoping it manages to reboot soon, because I’ve got books to write.

 

What Follows

Final-CoverYes, I’m talking about The Book again. Sorry about that, but that’s what’s going on right now, so it remains the subject of the moment. Late last week I learned that the distributor was out of copies. I had to take a moment to digest that. Savor, actually. I mean, think about it–the outfit in charge of getting the book into sales venues was out of stock. Which meant that the book  was being ordered. Which meant that there was demand. Which meant…well, let’s not get too crazy. The point is that the distributor was not sitting on piles of stock that no one wanted. In fact, Prime had to send out the rest of the copies they had on hand so that the distributor could handle their orders. So now the publisher is out of stock. All remaining copies are either 1) at the distributors or 2) at the bookstore(s). This is, what we in the business like to call, “a good thing.”

So what does this mean? Hard to say right at the moment. Distribution aside, the numbers look good. Actual sales are at a brisk rate, and at the very least odds are good that the publisher won’t lose money on the book. They might even make a buck or two. This is important for obvious reasons. A publisher might love your work, your editor might even believe you’re a genius, but if your books don’t sell, none of that matters much. Most publishers, especially smaller presses, can’t afford to publish books that no one wants. When a book does well, the publisher is more inclined to want another one from you. Simple as that.

Here’s the thing—if you’re a writer, you want to write. Which is fine, because who’s stopping you? If you don’t have time, you’ll reset your priorities until you do have time. If the work isn’t going so well you hang in there until your creativity decides to wake up and join the party. Even a fallow period—they happen—is understood to be temporary. Problem is, we’re greedy. We don’t just want to write—we want to be read, too. We, narcissists that we are, want to think that what we write matters, even a little. Sure, you can self-publish, and there are even times when that makes sense, but without a readership in place it’s a long slog to get one, and the readership is what you really want. We have more options these days, sure and yippee, but publishing through a competent traditional publisher, large or small, is still the best way to find those readers, or rather, let them find you. Otherwise everything you write is just you, talking to yourself. I think there are psychiatric terms for that, none of them very flattering.

So we have to worry about the business side of things. Self-promote as best we can, do what we can do and still face ourselves in the mirror come morning. As others have pointed out time and again, writing is both an art and a business. Art comes first. After that, it’s business. We forget the second part at our peril.