Inaccurate, But True

Snow-Jan-2014That ½ inch of snow on the left represented major disruption yesterday, because this is the Deep South and we simply don’t know how to cope with cold weather. Or rather, cold weather that makes snow. For a lot of schools and businesses in the area, this represents a snow day. That’s right, schools were closed. Businesses went short-staffed. We’ll pause a moment for the readers above the 38th Parallel North to stop laughing. Continue reading

TOC – The Best Science Fiction & Fantasy of the Year: Vol 8

From JonathanStrahan.com.au. As always, it’s an honor to be in such company. As has already been pointed out elsewhere, a fairly large percentage of the stories are drawn from online sources, venues that didn’t really exist just a few short years ago. I don’t know if I’d call it a trend, but I do think it is significant.

•Introduction, Jonathan Strahan
•“Some Desperado”, Joe Abercrombie (Dangerous Women)
•“Zero for Conduct”, Greg Egan (Twelve Tomorrows)
•“Effigy Nights”, Yoon Ha Lee (Clarkesworld)
•“Rosary and Goldenstar”, Geoff Ryman (F&SF)
•“The Sleeper and the Spindle”, Neil Gaiman (Rags and Bones)
•“Cave and Julia”, M. John Harrison (Kindle Singles)
•“The Herons of Mer de l’Ouest”, M Bennardo (Lightspeed)
•“Water”, Ramez Naam (An Aura of Familiarity)
•“The Truth of Fact, the Truth of Feeling”, Ted Chiang (Subterranean)
•“The Ink Readers of Doi Saket”, Thomas Olde Heuvelt (Tor.com)
•“Cherry Blossoms on the River of Souls”, Richard Parks (Beneath Ceaseless Skies)
•“Rag and Bone”, Priya Sharma (Tor.com)
•“The Book Seller”, Lavie Tidhar (Interzone)
•“The Sun and I”, K J Parker (Subterranean)
•“The Promise of Space”, James Patrick Kelly (Clarkesworld)
•“The Master Conjurer”, Charlie Jane Anders (Lightspeed)
•“The Pilgrim and the Angel”, E. Lily Yu (McSweeney’s 45)
•“Entangled”, Ian R Macleod (Asimov’s)
•“Fade to Gold”, Benjanun Sriduangkaew (End of the Road)
•“Selkies Stories are for Losers”, Sofia Samatar (Strange Horizons)
•“In Metal, In Bone”, An Owomoyela (Eclipse Online)
•“Kormack the Lucky”, Eleanor Arnason (F&SF)
•“Sing”, Karin Tidbeck (Tor.com)
•“Social Services”, Madeline Ashby (An Aura of Familiarity)
•“The Road of Needles”, Caitlín R Kiernan (Once Upon a Time: New Fairy Tales)
•“Mystic Falls”, Robert Reed (Clarkesworld)
•“The Queen of Night’s Aria”, Ian McDonald (Old Mars)
•“The Irish Astronaut”, Val Nolan (Electric Velocipede)

A Picture is Worth…

Heavenly Fox - eBook1This weekend I received the preliminary sketch for the cover of To Break the Demon Gate. It promises to be pretty cool. I’d post it here, but first of all I don’t have the rights, and second, the artist would kill me, and rightly so. Like a rough draft, the job of a preliminary sketch is not to be good, but to be done, mainly to show the artist’s concept and whether those in a position to decide (mostly PS) think it’ll work. I do, and said so. If you’ve seen the cover art to The Heavenly Fox, you know the artist, Ben Baldwin. There will also be endpapers, because there will be a separate, signed edition. I wasn’t sure about that, but apparently it’s happening. For the endpapers he’s probably going to do one of my favorite scenes, Lady Snow dancing outside the Gion Shrine. I can’t wait to see what he comes up with.

Which brings me or leaves me at the subject of illustrations. I have to say that I have been very fortunate in my illustrators over the years. I mean, consider the list: Ben Baldwin, Jon Foster, John Berkey, Tiffany Prothero, Steve Fabian, Steven Gilberts, Ruth Sanderson. Heck, my first ever professional story was illustrated by Alicia Austin. And if you’re unfamiliar with any of these, a good Google search will quickly explain how chuffed I am about it all. Granted, the artist’s vision is never going to match your own, but that’s kind of the point. You get to see your work reimagined, and find out what it triggers in another creative perspective. Not everyone gets that chance.

Wait For It…

SleepingBuddhaI love to wait…said no one, ever. And yet it is one of those times. PS Publishing has an artist lined up for the cover of To Break the Demon Gate, but even preliminary sketches take time and I won’t have any idea what the cover is going to look like until much later in the process. I’ve got contracts and royalty payments hanging fire, but again nothing is ready now and won’t be for weeks, likely. I’ll send out the manuscript for The War God’s Son probably later this month, and there’s another long wait in the making.

Everyone has to “wait for it” at one time or another, in cases where it can’t be avoided, like the DMV or the dentist’s office. Relatively brief times, but they seem longer because there’s nothing else to do but anticipate the joy to come. But for what I call the real waiting, on matters that may take weeks, or months, even years? I sometimes think writers do more than their share. We’re always waiting, if we allow it.

Whaddya mean, “if we allow it”? It isn’t up to us! Oh, but it is. The key to bearing up to all the waiting, of course, is that you’re not waiting. Or to be more accurate, you’re not just waiting. There are things to do, stories to write, books to read, guitars to play, tires to patch and gutters to muck out. You don’t keep yourself busy as a distraction, you keep yourself busy because you’re alive and you’ve got better things to do than wait. Then one day a check and/or contract arrives in the mail, an email arrives with a decision made for good or ill, or maybe a preliminary/final cover jpeg arrives, and you go “What? Already?”

Or you can simply “wait for it” and focus on what isn’t happening and stew away your stomach lining and your last good nerve all the while, and waste one hell of a lot of precious, non-retrievable time in the process. That’s always an option. Not a good idea, but an option.

No one likes to wait. The trick, if there is one, is to simply refuse to do it.

Auld Lang Sighs

Lucille2013. Ugh. If that year had been a story in a slush pile, it wouldn’t have gotten past the first reader. I did see one new collection published by Prime, and finished the next Yamada novel (The War God’s Son), so it wasn’t a total waste. 2014 looks to be…interesting.

So. Anything you’re looking forward to in 2014?