Double Down

CW Phoenix 4

It’s not often I get two author’s copies on the same day, but it happened last week as I found my contributor copies of Clockwork Phoenix #4 and The Mammoth Book of Angels and Demons crammed into my P.O. box together. I’m in loads of good company but other than that I’m not going to namedrop–follow the links above if you want to know all the goodies. For my part there’s an original story, “Beach Bum and the Drowned Girl” in CW4, and a reprint of “Sanji’s Demon” in MBOAAD. I’m being totally objective and unbiased of course when I tell you that you really should pick up both of them.

A&D

How About “Free”?

A Warrior of DreamsJust a quick note in case anyone didn’t know that LightSpeed Magazine now has reprinted “The Man Who Carved Skulls” on their website, and as of the 7th, it’s free, along with an Author Spotlight mini-interview which will tell you more than you ever wanted to know about the story and the process that put it there. It’s set in the same universe as A Warrior of Dreams, but you certainly don’t need to have read the book to follow the story.

For no particular reason, I was thinking about rewards, those little things you do for yourself when you’ve accomplished something and deserve a treat. For a good hour’s guitar practice, for instance, last night I rewarded myself by jamming along with a recording of Eric Clapton and Steve Winwood playing “Cocaine” on YouTube. It’s also practice, in that it helps with things like taking cues from other players (play softer during Eric and Steve’s solos!) and keeping in time. Also a lot more fun than doing Spider Fingers.

Then I thought about writing rewards. What’s the reward for a good day’s writing? And I realized that I don’t give myself rewards for that. I look at the words produced and that makes me feel good all by itself.

Such Stuff as Dreams are Made On

Epi Les Paul Special IIWhen a kid picks up the guitar at twelve they might be dreaming of being the next Buddy Guy or Jimmy Page or Bonnie Raitt or Rosie Flores. When one of us starts writing seriously, we might be dreaming of being the next Flannery O’Connor or William Faulkner or Ursula Le Guin or Stephen King or Arthur C. Clarke or…well, pick your own poison. Those are what I tend to think of as “flash paper” dreams. Doesn’t take much to turn them into smoke and vapor. Usually a couple of years of working hard and getting nowhere will do it. The interesting thing about the whole process is not that most people quit at this point but rather that some people don’t. I mean, “You can’t have what you wanted, so forget it.” is a pretty powerful disincentive for staying the course. So why hang around when that fact become all too clear?

I think those who don’t quit are the ones who get new dreams. Not “settling for less,” but rather discovering something you didn’t know about in the first place. Something you didn’t even know you wanted, because you didn’t know it existed. In which case your original dream has done its job. It got you started, pointed in the direction you needed to go, even if that place you’re searching for wasn’t where you thought it was. J.R.R. Tolkien made me want to be a writer, but I figured out pretty much immediately that I wasn’t going to be the next J.R.R. Tolkien. For one thing, he was pretty much sui generis and there wasn’t going to BE a next J.R.R. Tolkien. Any more than there was going to be—more of my heroes–another Ray Bradbury or Ursula Le Guin or Fritz Leiber. They’re them and you’re you. Once I got clear on that, then it became okay to figure out who I was and what I really wanted.

I’m still working on that and don’t expect to ever sort it out because the bar keeps moving, and for what little it may be worth, I wish as much for you. You work, you live,  and who you are and what you want to accomplish keeps moving, keeps evolving. That’s better than okay—it’s crucial. As time goes on you’ll know more. If you’re lucky, you’ll understand more. And what you think is important won’t stay the same, at least not entirely.

Getting started is what some dreams are for, but odds are they won’t be the ones that keep you going. And as for who you’re eventually going to be as a writer, that’s not really your problem. Anyone who cares to can sort that out after you’re gone. Maybe you’ll be someone else’s dream, for a while. Maybe not, but either way what matters is that you, when the choice was there, was able to grow and evolve along with those dreams and almost but never quite–a blessing on you–keep up.

Milestones Redux

YMDH-AT-BNI’ve talked a little bit about milestones before, those little markers that tell you that you’re making progress. Your first actual rejection (easy to get, but it shows that at least you finished something). Your first personal rejection. Your first actual sale. Your first…well, whatever. One of the beauties of the system is that you get to pick your own milestones. That’s the thing about milestones—by their very nature, they are personal.

The picture above represents one of mine, though at this point it might also qualify for a bucket list. So what is it? It is two copies of Yamada Monogatari: Demon Hunter on sale at our local B&N. Granted, I’ve been able to walk into a local bookseller and buy my own work for years, but only in the context of a magazine or anthology. This is the first time I can walking into a brick and mortar and buy a real live book that was entirely written by me. A reader living in New York or L.A. or Washington can walk into their B&N and find this. Books often succeed or fail for reasons other than the content, but that won’t matter. My name is on the cover, and whether it stands or falls, it’s on me. That’s a little scary and, imo, long f%$*#ing overdue. But it’s a milestone I wasn’t sure I was ever going to reach. Took me long enough, but I finally got there.

So where’s there, which is now here? The same place it always is—the place where the work is done on the way to the next milestone. Which, as I’ve said before, is not a destination. Do you ever pull onto the highway with thoughts of visiting the 334 mile marker, maybe camping out, take a few photos? I’m pretty sure you don’t. More like “I made it this far, only so many miles left to where I’m actually going.” Which is where?

Which is onward.

Passed 20,000 words last week on the new book. Which is not a milestone, but at the moment it is something much better–it is progress. I try not to confuse the two.

Lunch Break

WeirdDetectivesI thought I’d ordered a pizza, but this will do. Brand spanking new author copies of Weird Detectives, edited by Paula Guran. It’s out, it’s live, it’s full of authors who aren’t me, aside from me.

“Paranormal investigators. Occult detectives. Ghost hunters. Monster fighters. Humans who unravel uncanny crimes and solve psychic puzzles; sleuths with supernatural powers of their own who provide services far beyond those normal gumshoes, shamuses, and Sherlocks can. When vampires, werewolves, and things that go “bump” in the night are part of your world, criminals can be as inhuman as the crimes they commit, and magic can seep into the mundane – those who solve the mysteries, bring justice, or even save the world itself, might utter spells, wield wands as well as firearms, or simply use their powers of deduction. Some of the best tales of the last decade from top authors of the 21st century’s most popular genres take you down mean streets and into strange crime scenes in this fantastic compilation.”

Order delivery. You know you want to. Weird Detectives.