Almost There…

In the movie reference sense. Will the Deathstar(tm) (45’s Admin) finally blow up? Will the new year be better than 2020? Danged if I know. It’s hard to imagine much worse, and I have a fairly decent imagination. Yet reality continues to surprise me…one of the wonders and drawbacks of being in touch with reality, even if you don’t always live there.

So here we are. Either at the tail end of chaos or just getting started. I’m optimistic enough to remain cautiously optimistic, and we will see.

It reminds me of a discussion of The Uncanny Valley (TUV) over on FB(and a previous post https://richard-parks.com/2012/10/15/yeah-though-i-walk-through-the-valley-of-uncanny/). For those who don’t know, TUV is a metaphor, usually applied to computer graphics. At the point where, say, a CGI rendition of a human becomes no longer “cartoonish” but yet not quite completely lifelike, not quite “right.” This is the Uncanny Valley, where many people might react to the image with unease and even fear, though they might not know why. Never had that problem myself, but I understand the reaction. Possibly there’s an evolutionary advantage, where a dappled patch of sunlight in the tall grass is actually a lion waiting to pounce, but the fact that it looks slightly “off” might prod an ancestor to avoid it, and thus live to reproduce.

Or maybe it doesn’t have anything to do with evolution at all. It occurs to me that TUV may be uncomfortable because it is, in the truest sense, a liminal space. A transitional condition between one thing and another thing, and thus not quite either one. This tends to put us off balance, and also explains why some people have aversions to such mundane things as bridges and thresholds. Ask yourself: are you more comfortable in a cozy room with a nice chair or walking down a long hallway?

And that’s what we are rapidly approaching. The end of one thing but not yet the start of another. Probably the reason our forebears thought the veil between worlds was weak this time of year. From now until 2021 is a liminal space. Something ending (we bloody hope) and something new beginning (we also bloody hope). A tricky time, for everyone, but hang on.

Almost there.

Season’s Creaking

Getting close to that time…meaning the holiday season. I know the actual number has been counted before, but I’m not looking it up now. Everything from Hannukkah to Bodhi Day, and that’s not even counting the Feast days. The point is there are a lot of holidays this time of year. If I know someone celebrates Christmas, I’ll say “Merry Christmas.” If I don’t know what they celebrate, then it’s “Seasons Greetings,” or as in the case here, “Happy Holidays.”

Yes, there are those who consider this offensively PC. People get bent out of shape over the silliest things.

All that aside, I’ll just mention that those of you on my Newsletter list will shortly get an early excerpt from The Seventh Law of Power. Though I did misspell “peek.” Serves me right for getting in a hurry, and that’s on me. As for those who aren’t on the list, what’s stopping you?

Sterling

We had to say goodbye to Sterling, aka Lord Flopsnuggle, this morning. We’d been expecting it for a while, which should have made it easier, but not really. His breathing had gotten to be more of a rattle, turning his purr into a motorcycle sound effect. Vet’s diagnosis was an inoperable tumor. Steroids helped his breathing temporarily, which gave us more time with him, but couldn’t prevent the inevitable. When it was clear he was struggling, we knew we couldn’t wait any more.

Stirling leaves one brother, Sheffield, and two sad humans. He was a handsome boy and a very good cat indeed.

Internal Editor and Writer Dialogues #1: Process

“Three brothers traveled along a lonely road at—”

“Stop. This is sounding suspiciously like a ripoff.”

“Oh ye of little faith. Now, where was I?”

“You were about to say ‘twilight,’ I believe.”

“You believe wrong. May I continue?”

“By all means, but just so you know, the onus of proof is on you.”

“Always is. Starting over. ‘Three brothers traveled along a lonely road at….”

“Wait for it….”

“…odds with each other. One wanted to go forward. One wanted to go back. One wanted to get off the damn road and take a hike through the lovely woodland on either side of the road.”

“Okay. At least you’ve gone off script, but do you have any idea where this is all going?”

“Of course not. You write a sentence. It implies action, or a consequence. Maybe it only sets a mood. Regardless, you write another sentence that goes with the first sentence. Goes where? No idea. Write another. Is there movement? Progress? Do the sentences, taken together, appear to be working?”

“When you say ‘working,’ what does that mean?”

“I mean the sentences belong together and point to something greater. And before you ask, of course you don’t know what that ‘something’ is, at least not at first. Your job is to figure it out.”

“You mean it’s your job. Figured anything out?”

“Yes. Three brothers traveling along a lonely road, bickering.”

“That’s not a lot.”

“No, but it’s something. Other than the something I have to figure out, of course. Now that I think about it, I take that back. You don’t figure it out. It’s a story. It was always there. You discover it instead.”

“Now you’re getting mystical on me. That’s really annoying.”

“I don’t do it to annoy you. That’s just a bonus.”

“You’re digressing, and it’s not as if you have all the space or time in the world. Focus!”

“The middle brother went back the way they’d come. He was still on a lonely road, only now he was alone. He wandered into darkness and distance and was never seen again.”

“Bit of a downer, that.”

“You want happiness and light? Go to the greeting card aisle.”

“I want the rest of the story. What about the other two brothers?”

“The oldest brother was tired of the road as well. He left the road at a promising spot and hiked off into the woods by a lovely stream. He listened to the birds and the wind in the trees. He saw many wonderful things and congratulated himself on making such a wise choice. Then he was eaten by a bear.”

“Seriously, that’s it? That’s your grand adventure?”

“More like a light lunch in the bear’s story. As for the youngest brother, he kept walking on the road. The end.”

“That’s terrible!”

“Because my impatient internal editor horned in during the creation phase. Which makes for a terrible story or no story at all. Next time, wait your damn turn.”

©2020 by Richard Parks. All Rights Reserved.

Peg O’Nell and the Well

Peg O’Nell fell in a well

Or so one story goes.

Was she pushed?
Was she shushed?

In truth, nobody knows.

That’s the trouble with folklore. First, there was no Peg O’Nell, or at least no proof of one. So who are you going to believe? Absence of proof is not proof of absence. Maybe there was a Peg O’Nell, maybe there wasn’t. The story says there was. Is the story factual? It exists, so that much is fact. Everything else could be a lie and still be true.

Stories are like that, and folklore is basically stories, so you see the problem, I trust.

Now then, the story.  Waddow Hall is a grand estate near the River Ribble in Lancashire. Originally, the river was said to be the home of a vengeful spirit which demanded a sacrifice every seven years, or else. In the 18th century, the story changed, and Peg O’Nell becomes the main character. It’s a rather tawdry tale at heart. She was a beautiful scullery maid who drew the wandering eye of the Master of Waddow Hall, much to the annoyance of the Mistress…yes, one of those. Easy to draw parallels to the amorous adventures of gods like Zeus who had their fun and left their paramours to deal with the wrath of his wife, Hera, who always seemed to think his actions were her signal to punish the girls involved. Depending on which version of the story you believe, the Mistress sent Peg to draw water from a nearby well on a bitter cold night and she either had someone push the girl into the well or Peg slipped on the ice and broke her neck and fell in on her own.

One or the other, or maybe neither.

Now Peg is the vengeful water spirit. I can imagine the original spirit might be a little put out by that. After all, they were there first. Sacrifices now go to Peg, who may not want them. No one asks. Yet there is a well on the grounds of Waddow Hall near the River Ribble, known as Peg’s Well. It’s guarded by a statue with no head. Said to be a likeness of a saint, or Peg herself, and that Mistress took an axe to it in order to break Peg’s power over the living, which she certainly never had when she was alive, if she ever was, and why would a scullery maid have a statue in the first place? So many questions.

So few answers.

This much we do know: Waddow Hall exists. A well exists. The River Ribble exists. People think there was a scullery maid named Peg O’Nell. Maybe, maybe not. You can’t prove them wrong. Absence of proof is not proof of absence, and things like that.

One last thing, that sacrifice I mentioned? It has to take place every seven years on the anniversary of Peg O’Nell’s death. Problem is, nobody knows when that was. And one or two people still disappear without a trace every seven years or so.

Just sayin’.