Muse and Writer Dialogue #9

LucilleMUSE and WRITER Dialogues #9

 
 
FADE IN
 

 A room that passes for an office. There are bookshelves on one wall, a motley assortment of carvings, signed storyboards, and framed magazine covers on the free wall space. On the far wall is a medieval-style heraldic wall display of a cockatrice and a banner in bad Latin “Pullus non Est.”  Horizontal files sit beneath the window.  The computer desk is on the wall nearest the door, facing away from the window. Beside that is a printer on a stand. In the base of that is a PC and a PS3. On the right wall hang three guitars. There would be four, except WRITER, currently sitting at the desk, is strumming one of them.

Enter the MUSE. She looks like a Greek goddess, except when she doesn’t. Right now she tends to morph between goddess and rocker chick.

WRITER: Can’t you make up your mind?

MUSE:  You’re one to talk. And why are you torturing that poor guitar?

WRITER (Holds up guitar in question): Beauty, isn’t it? A Michael Kelly Deuce
            Phoenix, semi-hollowbody. They don’t make them anymore.

MUSE: I didn’t ask what it was, I asked why you were torturing it. Are you channeling Dick Cheney?

WRITER: Don’t be silly, and I’m not “torturing it.” I’m practicing a 12-bar blues shuffle.

MUSE: Same thing, from where I stand. Didn’t George Carlin once say that white people got no business playing the blues, ever?

WRITER: If BB King, Albert King, Buddy Guy, Hubert Sumlin, “Sonnyboy” Edwards,  etc. didn’t have a problem with Stevie Ray Vaughn, why should you?

MUSE: You’re not Stevie Ray Vaughn.

WRITER: It’s your job to encourage my artistic pursuits, not throw cold water. And even SRV had to learn.

MUSE:  Speaking of which, isn’t it about time you got your butt back to work on the rewrite of The War God’s Son?

WRITER: Almost. There’s still some continuity research to do.

MUSE: You’re stalling.

WRITER: Am not. I had the final battle location way too far south. Plus I had
            assumed that Yoshiie led the final campaign alone. Not so. His father,
Yoriyoshi, was present as well. Which does, as you well know, affect the middle
section.

MUSE: Really? The old guy was pushing eighty.

WRITER: Tough old bird. But I do have to reconcile how he was seeing portents of
            victory back in Kamakura when he was supposed to be in Mutsu. The only
            primary source is 1) Rare and 2) In Japanese. Sansome only goes so far, but
            I’ll get what I need.

MUSE: Well…okay. But that’s not a proper D major, you know.

WRITER: I do know. It’s a D7. Next I’ll practice the turnaround. Want to heckle?

MUSE: I’ll pass. Just be gentle with that poor guitar, okay?

WRITER: I’ll do my best.

MUSE: You better. Otherwise we’re both wasting our time.

 
FADE OUT.
 
 
 

All the Gates of Hell

All the Gates of Hell-Cover-KYIHAfter finishing the first draft of The War God’s Son I’ve been clearing the decks a bit and wanted to get a personal project that’s been hanging fire for a while done and out before I need to plunge back into 1062AD Japan, because once I’m there I won’t be much good for anything else until the rewrite is done.

All the Gates of Hell

Kindle

Nook

I also plan to do a print edition, but that takes more time than I have right now so it will have to wait a bit. I hope I can get to that before the end of the year. We’ll see. As for the book itself, I rather think of it as a paranormal anti-romance. That’s  not a real category, but maybe it should be:

“Legal Assistant Jin Lee Hannigan thought she had problems enough as a single woman in rundown Medias, Mississippi. That was before Jin meets a homeless man on Pepper Street who just happens to be the  King of Hell, and learns that she’s really the mortal incarnation of Guan Shi Yin, the Buddhist Goddess of Mercy, charged with the rescue of unfortunates trapped in the various — and nasty — hells scattered around the cosmos. That doesn’t even turn out to be her biggest problem. It seems that the Goddess of Mercy is on the run and in hiding, which is why she incarnated as a mortal human in the first place. Hiding from what?

Love.

But why would anyone fear love? Jin already knows that love is powerful, but what she has to learn, and fast, is that the wrong kind of love is also potentially the most destructive force in all the universe and–even more important–how to stop it.”

Ain’t Going Back to the Stupid Times

Something you should probably know about me before I go off on this—I grew up in the (American) Deep South during the 1960’s, and came of age in the late 1970’s. And when I say “Deep South”, I mean you couldn’t go much deeper. To us, Tennessee was a border state, ‘mkay? This was a time when a guy like me couldn’t take a walk down a dirt road without some yahoo in a pickup pulling over to ask if I needed a ride to the Klan rally, and if you think I’m exaggerating, well, you weren’t there. All by way of saying that I learned about racism the way all my peers did—by being taught it. To be fair, it wasn’t as if we had classes and homework on the subject, it’s just that every day we were led by example: if I was part of a seasonal crew hauling hay, for instance, that had both black and white members, at lunch time we didn’t eat together. We ate the exact same things, but at separate tables set up for the purpose. And, like I imagine most everyone else did, when I was younger I asked why that was. The only answer I ever got from the adults was “because that’s the way it is.” I never found that answer particularly satisfying, but I finally realized that they weren’t holding out on me—it was the only answer they had. I had been told that Martin Luther King was a dangerous radical, and the ones who told me that believed it. Then I listened to MLK give a radio speech on the Viet Nam war and realized, somewhat to my own surprise, that I agreed with everything he said. By this time I definitely had the feeling that “something wasn’t right.” Continue reading →

Marathon, Meet Cliff

WRITING 02Finishing a novel first draft feels a little like running a marathon only to fall off a cliff at the end of it. You’re rather at loose ends, flailing around. Sometimes there’s even a thud at the end of the fall which is, as others have noted for the male writers, probably as close to post-partum depression as we’ll ever experience. All by way of saying that the first draft of The War God’s Son is complete. I finished it last week with one 8000 word session and a late night of small continuity tweaks that I wanted to make while they were fresh in my mind. I was pretty much spot on as to what the length would be, right at 92000 words. As I said, I don’t do doorstops, but the publisher I have in mind is happy with the length. I tend to put in as much as I take out on subsequent drafts, so the final length might not be that different. Continue reading →

Dog Days

Bkack Kath's Daughter-2This is more of a check-in than an actual proper blog post. What we used to call a “drive-by posting.” It’s September, so naturally we’re still in the grip of what should be properly called August+. The heat won’t really break until maybe mid-September…if we’re lucky. So far the heat has taken the willow, maple, and one of the blueberry bushes we planted this spring. We won’t know the full extent of the damage until next spring, but we’ll either replant or face the fact that whatever comes up of its own accord is probably the only plant worth bothering about. For instance, the Yoshino cherry I planted a couple years ago dropped dead within three weeks.. It’s now been replaced by a popcorn tree that wanted the spot. I’ll see if it does any better.

The War God’s Son is in the home stretch. The draft passed the 80k mark last week and it might—might—have 10k to go. Likely it’ll grow a little in the rewrite, since I’m one of those who tend to embellish as much or more than I cut, but if it turns out over 90k words I’ll be surprised. Like any other project, ideally it turns out as long as it has to be and no longer. And for those (both of you) who have been wondering about the sequel to Black Kath’s Daughter, it’s next on the agenda, but I have to finish this one first.

I couldn’t sign off without mentioning the passing of Fred Pohl. He was one of the last of the old guard SF writers. “There were giants in the earth in those days.” I’m old enough to remember the passing of several of them: Heinlein, Asimov, Leiber, Anderson, Clarke, and that’s not even counting the ones who went before their time, like Tom Reamy. It’s rather like watching history passing before your eyes. The field has been undergoing something like a sea-change in the last several years, and the loss of Pohl only emphasizes it. Change happens. That’s all.