Tag Archives: Prime Books

Odd Ends and One More Update

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Two For ChristmasThis morning I sent off the copyedited manuscript of To Break the Demon Gate, along with a list of preferred artists to do the cover, to the publisher. One advantage of working with a specialty publisher for things like limited editions is that you often have some input into matters like cover art, which is less likely to happen for the more traditional editions. It can and does happen, but not routinely. Regardless, there was one artist I’ve been a fan of since my early days, and he’s one that PS Publishing does work with, so it could happen. Right now the schedule is still looking good for a spring release, probably around March. I can’t wait to see how it turns out.

The copyeditor pronounced the manuscript “clean,” which is good, though in a couple of places he/she did get confused by word choices that aren’t as common in British usage, so I had to clear that up, but overall there wasn’t a lot to do. One thing I am going to need to do is convert the manuscript from British spelling and usage back to American spelling and usage for the trade reprint edition, still scheduled for next December. The limited edition will be the hardcover edition, so it just depends on your preference. And patience.

I want to keep up the weekly blog schedule during December, but there’s a chance that’s not going to happen. To be perfectly blunt, I’m not altogether sane this time of year… I mean less than usual. It’s a character flaw of mine that I find the holidays extremely stressful and crazy-making, and this year isn’t going to be any different, except for a possible ramp-up of intensity. Most of it is of my own making, but that doesn’t change the fact. If I can get through to January without major drama, I’ll score that a win. If you don’t hear from me before then, have a safe and happy rest of the month, and I’ll see you on the other side.

 

Another Quick Update

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Yamada_DH_FinalCover_smlAccording to Locus, the hard cover limited edition of To Break the Demon Gate from PS Publishing is now scheduled for March of next year. The trade paper reprint should follow next December from Prime Books. That is, of course, if PS keeps that schedule. Otherwise Prime may wind up doing the original and the ltd edition becomes the reprint. Publishing is funny like that.

A story of mine, “Cherry Blossoms on the River of Souls,” (Beneath Ceaseless Skies #131, Fifth Anniversary Issue) has scored a “Recommended” rating from both Lois Tilton and Rich Horton. First time that’s ever happened. Wonder if I can do it again…

The rewrite on The War God’s Son has been delayed slightly by domestic issues, but I still expect it to be finished before the end of the year. I was shooting for the end of November, but obviously didn’t make it. As it stands, it’s pretty much eaten all my writing time for the entire year of 2013. Novels are a huge commitment, and a huge gamble. The potential of course is that one which is well-received can advance your readership by leaps and bounds because there is a large category of readers who never touch short stories. The potential for losing ground is there also, simply because it takes just as long to write an unsuccessful book as it does to write a successful one, and in the meantime you’re not writing anything else. You’re both out of sight and possibly out of mind with your readers during that period.

I think I’ve written a good book, a worthy follow-up for To Break the Demon Gate that continues Yamada’s journey and shows the inevitable changes in the character. It was worth doing. How well it does or doesn’t do is almost beside the point. Yes, I know, but I did say “almost.” Yamada Monogatari: Demon Hunter sold better than anyone expected (me not least of all), and that was nice, but I need To Break the Demon Gate to do well also so that the publisher will want The War God’s Son. I need it to do well so that…well, you get the idea.

But I promise to get back to Power’s Shadow (sequel to Black Kath’s Daughter) next, whatever happens. I’ve been telling Marta’s story for a long time. I think she’s a little tired of waiting, too.

PS: An update to the update–First Reader finished the final section of the book last night and pronounced it Good. Which for First Reader is like fireworks and party hats. I took care of the last revisions this morning so, short of any editorial revision requests, I’m calling The War God’s Son done. So I wrote a page of Power’s Shadow to celebrate.

Yamada’s Saga – Timeline

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Japanese Mask

It occurs to me, with the mixing of short fiction and novel-length stories that make up the Yamada timeline, that it might not be a bad idea to set this all out now, at least to the degree I understand it (and if you think the writer knows everything about what they’ve done, think again). Most of the stories occur in the timeline/continuity in the order that they were written, but the novels do throw one or two curves into the mix, so here goes:

 

“Fox Tails” – First Yamada story written. Knew it was a series then, didn’t know where it was going.

“Moon Viewing at Shijo Bridge” – Second Yamada story. Yamada’s sad history with Princess Teiko is revealed. This was the story where I think I first got a good handle on who Yamada was and what he was about.

YAMADA MONOGATARI: DEMON HUNTER.  First Yamada collection. The stories contained therein were usually a reader’s first introduction to the series and were published over a span of years and appear in the order they were written, but the continuity is not complete in them because….

Here’s where it gets a little complicated:

TO BREAK THE DEMON GATE.  First actual Yamada novel. TBTDG incorporates “Moon Viewing at Shijo Bridge” which forms the first section of the book, and no, I didn’t know that it was the first section of a novel when I wrote it. I figured that out later. The balance of the novel concerns the events leading up to Yamada’s final confrontation with Lord Sentaro. This was written after several of the stories appearing in YM:DH but before “The Ghost of Shinoda Forest,” which ends the collection, but in the continuity of the series, they all, except “Fox Tails” and “Moon Viewing at Shijo Bridge,” occur after the events of the novel. At the end of TO BREAK THE DEMON GATE, Yamada has still not made peace with the memory of Princess Teiko. That comes later (see “The Ghost of Shinoda Forest.”) I’m not sure when the PS Publishing limited edition is coming out, but Prime Books has the trade reprint scheduled for December 2014.

“The Sorrow of Rain” – If you have no idea what this story is, that is because it hasn’t been published yet. But it falls in the timeline before “The Ghost of Shinoda Forest” but after TO BREAK THE DEMON GATE.(Edited to note: Oops. It falls after “The Ghost of Shinoda Forest.”  I misremembered.)

THE WAR GOD’S SON – complete but under revision. The events of this book occur about seven years after “The Ghost of Shinoda Forest,” and take place after all the short stories written to date in the continuity. The novel is set during what is usually referred to as The Nine Years’ War in Japanese history (though, with delays and truces, it was more like twelve). The tearing of the social fabric that will eventually bring about the end of the Heian Period and the rise of the samurai is already evident, but won’t manifest completely for another hundred and twenty years. We also get to meet Yamada’s elder sister. There is no current publication date scheduled.

And that’s where it stands. Confused? I would be. I often am.

Surfing for Survival

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FoxMaybe not literally, but as far as visibility and career are concerned. I’ve been thinking about the question of career survival because it finally occurred to me that I’ve been shifting gears a bit lately when it comes to my own writing, in that I’m doing more novels these days, and fewer short stories. Now, for many cases that’s just considered par for the course, and was once considered the only course—you started off writing short stories, with the intention of getting good enough to sell them to the major magazines, of which there were several. If you were planning any sort of career, then part of the plan was to build up your name recognition through short fiction and then use that visibility to transition to novels. Short stories were never considered to be an end in themselves in that scenario. Sure there were probably as many exceptions as not, and writers who started with novels from day one and were either barely or sometimes not at all aware that the magazines even existed. I wasn’t one of those. I discovered the magazines at about the same time that I started to write in the first place, and I began with short stories, and the first novel I ever wrote I thought was going to be another short story, until an editor took pity on me and informed me that what I had submitted was not a short story, but the opening chapter to a novel, and so it later proved. Regardless, the short story was my go-to form. Continue reading →

Lunch Break

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WeirdDetectivesI thought I’d ordered a pizza, but this will do. Brand spanking new author copies of Weird Detectives, edited by Paula Guran. It’s out, it’s live, it’s full of authors who aren’t me, aside from me.

“Paranormal investigators. Occult detectives. Ghost hunters. Monster fighters. Humans who unravel uncanny crimes and solve psychic puzzles; sleuths with supernatural powers of their own who provide services far beyond those normal gumshoes, shamuses, and Sherlocks can. When vampires, werewolves, and things that go “bump” in the night are part of your world, criminals can be as inhuman as the crimes they commit, and magic can seep into the mundane – those who solve the mysteries, bring justice, or even save the world itself, might utter spells, wield wands as well as firearms, or simply use their powers of deduction. Some of the best tales of the last decade from top authors of the 21st century’s most popular genres take you down mean streets and into strange crime scenes in this fantastic compilation.”

Order delivery. You know you want to. Weird Detectives.