October 21, 1929 – January 22, 2018
I haven’t written anything about the passing of Ursula Le Guin before now because I couldn’t put two coherent thoughts together. I’m still not sure I’m ready but I’m going to try, despite the cat purring in my lap demanding all the attentions. Living creatures have their own priorities and in that sense I’m no different.
I never met her. Other people who knew her best will have the personal remembrances of the woman herself, I can only speak of her work and its effect on me. I’ve spoken at times about influences that made me whatever I am as a writer, though as I look back on it these influences were more about teaching me something I needed to know at the time I was ready to learn it. Parke Godwin? He taught me lessons about humanity. Fritz Leiber? That the limits of genre were illusory, and there was very little it could not do. Ursula Le Guin? She taught me what magic was and—just as important—what it wasn’t.
There are other lessons, of course. Some I still may not be ready for. Take her classic, The Word for World is Forest. I’m going to have to come back to that one, I hope when I’m a little stronger and wiser. At the time I needed it, however, there was The Earthsea Trilogy, which later became the Earthsea quintet with Tehanu and Tales of Earthsea. Yet in the beginning, there were three: A Wizard of Earthsea, The Tombs of Atuan, and The Farthest Shore. They were first marketed as “young adult,” probably because Atheneum, the original publisher, didn’t know what else to do with them, and it was true as far as it went. However, I read them in college, when I really was a young adult, or maybe just a kid trying to figure out what “adult” as in “grown up” really meant. Ged, the young wizard in Earthsea, was trying to sort out the same thing, and in the course of the three—then four—books, he does, even though all the books, especially the last few, aren’t really about him. Which makes sense—a lot of growing up isn’t about you at all, but everyone around you and your relationship with them. Some things I can see now that I couldn’t then, but that’s all right. The lesson was waiting for me.
Then there was her classic, The Left Hand of Darkness, which made me and a lot of other people think about gender and what it does and doesn’t mean. Her early collection of stories, The Wind’s Twelve Quarters, which remains one of my favorite books ever.
Now Ursula Le Guin the person is gone from the world, but Ursula Le Guin the writer remains, and there is, I realize, a lot of her work that I have yet to get to, and I hope I will.
I hope I’m ready.