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About ogresan

Richard Parks' stories have have appeared in Asimov's SF, Realms of Fantasy, Fantasy Magazine, Weird Tales, and numerous anthologies, including several Year's Bests. His first story collection, THE OGRE'S WIFE, was a finalist for the World Fantasy Award. He is the author of the Yamada Monogatari series from Prime Books.

Beneath Ceaseless Skies #131, Fifth Anniversary

Yoshino-1Partly for selfish reasons, but also because sometimes people get annoyed when they aren’t told these things, I’m proud to announce that my own “Cherry Blossoms on the River of Souls” is the lead story in Issue #131, the Fifth Anniversary Double Issue of Beneath Ceaseless Skies. The remainder of the issue’s contents, featuring stories by Adam Callaway, Alberto Yáñez, Rebecca Gomez Farrell, and Naim Kabir, plus a special audio fiction broadcast, will go live on October 10th.

“Cherry Blossoms on the River of Souls” you can read now. If you want.

Time Mis-Management

Bkack Kath's Daughter-2I finished the second draft of The War God’s Son late Friday night. Sometimes projects need a third or more drafts before I dare show them to First Reader, but in this case I can’t think of anything else the book needs, so once I have it printed out the manuscript goes to First Reader for one of the more perilous phases of the project. Yes, I know, but First Reader is Old School, and wants a physical object to tear into. You can’t scribble or hack through paragraphs in phosphors…well, actually you can, but it’s just not as satisfying. So there will be a paper copy, which I will—hopefully—convert back into a finished book once she’s had her way with it. This, naturally, will not happen overnight. So right now I’ve got a little free time–by which I mean writing time not already spoken for–and thus my next problem.

I need to decide how to spend that time. I left the sequel to Black Kath’s Daughter hanging fire because the above project got its priority upgraded. But, to be clear, BKD+ is a personal project and so there are no actual deadlines on it. There are a few people waiting on it, and I do hate to keep them waiting, so I could get back to that while First Reader has her say on TWGS. On the other hand I haven’t written a short story in over six months while I was drafting TWGS. I think I’m getting withdrawal twinges, and I wouldn’t mind using the time to satisfy my short fiction jones.

Must think about this, but not too long since I don’t have all the time in the world and I could end up doing neither. If anyone reading this has an opinion, I’d like to hear it.

Muse and Writer Dialogue #9

LucilleMUSE and WRITER Dialogues #9

 
 
FADE IN
 

 A room that passes for an office. There are bookshelves on one wall, a motley assortment of carvings, signed storyboards, and framed magazine covers on the free wall space. On the far wall is a medieval-style heraldic wall display of a cockatrice and a banner in bad Latin “Pullus non Est.”  Horizontal files sit beneath the window.  The computer desk is on the wall nearest the door, facing away from the window. Beside that is a printer on a stand. In the base of that is a PC and a PS3. On the right wall hang three guitars. There would be four, except WRITER, currently sitting at the desk, is strumming one of them.

Enter the MUSE. She looks like a Greek goddess, except when she doesn’t. Right now she tends to morph between goddess and rocker chick.

WRITER: Can’t you make up your mind?

MUSE:  You’re one to talk. And why are you torturing that poor guitar?

WRITER (Holds up guitar in question): Beauty, isn’t it? A Michael Kelly Deuce
            Phoenix, semi-hollowbody. They don’t make them anymore.

MUSE: I didn’t ask what it was, I asked why you were torturing it. Are you channeling Dick Cheney?

WRITER: Don’t be silly, and I’m not “torturing it.” I’m practicing a 12-bar blues shuffle.

MUSE: Same thing, from where I stand. Didn’t George Carlin once say that white people got no business playing the blues, ever?

WRITER: If BB King, Albert King, Buddy Guy, Hubert Sumlin, “Sonnyboy” Edwards,  etc. didn’t have a problem with Stevie Ray Vaughn, why should you?

MUSE: You’re not Stevie Ray Vaughn.

WRITER: It’s your job to encourage my artistic pursuits, not throw cold water. And even SRV had to learn.

MUSE:  Speaking of which, isn’t it about time you got your butt back to work on the rewrite of The War God’s Son?

WRITER: Almost. There’s still some continuity research to do.

MUSE: You’re stalling.

WRITER: Am not. I had the final battle location way too far south. Plus I had
            assumed that Yoshiie led the final campaign alone. Not so. His father,
Yoriyoshi, was present as well. Which does, as you well know, affect the middle
section.

MUSE: Really? The old guy was pushing eighty.

WRITER: Tough old bird. But I do have to reconcile how he was seeing portents of
            victory back in Kamakura when he was supposed to be in Mutsu. The only
            primary source is 1) Rare and 2) In Japanese. Sansome only goes so far, but
            I’ll get what I need.

MUSE: Well…okay. But that’s not a proper D major, you know.

WRITER: I do know. It’s a D7. Next I’ll practice the turnaround. Want to heckle?

MUSE: I’ll pass. Just be gentle with that poor guitar, okay?

WRITER: I’ll do my best.

MUSE: You better. Otherwise we’re both wasting our time.

 
FADE OUT.
 
 
 

All the Gates of Hell

All the Gates of Hell-Cover-KYIHAfter finishing the first draft of The War God’s Son I’ve been clearing the decks a bit and wanted to get a personal project that’s been hanging fire for a while done and out before I need to plunge back into 1062AD Japan, because once I’m there I won’t be much good for anything else until the rewrite is done.

All the Gates of Hell

Kindle

Nook

I also plan to do a print edition, but that takes more time than I have right now so it will have to wait a bit. I hope I can get to that before the end of the year. We’ll see. As for the book itself, I rather think of it as a paranormal anti-romance. That’s  not a real category, but maybe it should be:

“Legal Assistant Jin Lee Hannigan thought she had problems enough as a single woman in rundown Medias, Mississippi. That was before Jin meets a homeless man on Pepper Street who just happens to be the  King of Hell, and learns that she’s really the mortal incarnation of Guan Shi Yin, the Buddhist Goddess of Mercy, charged with the rescue of unfortunates trapped in the various — and nasty — hells scattered around the cosmos. That doesn’t even turn out to be her biggest problem. It seems that the Goddess of Mercy is on the run and in hiding, which is why she incarnated as a mortal human in the first place. Hiding from what?

Love.

But why would anyone fear love? Jin already knows that love is powerful, but what she has to learn, and fast, is that the wrong kind of love is also potentially the most destructive force in all the universe and–even more important–how to stop it.”

Ain’t Going Back to the Stupid Times

Something you should probably know about me before I go off on this—I grew up in the (American) Deep South during the 1960’s, and came of age in the late 1970’s. And when I say “Deep South”, I mean you couldn’t go much deeper. To us, Tennessee was a border state, ‘mkay? This was a time when a guy like me couldn’t take a walk down a dirt road without some yahoo in a pickup pulling over to ask if I needed a ride to the Klan rally, and if you think I’m exaggerating, well, you weren’t there. All by way of saying that I learned about racism the way all my peers did—by being taught it. To be fair, it wasn’t as if we had classes and homework on the subject, it’s just that every day we were led by example: if I was part of a seasonal crew hauling hay, for instance, that had both black and white members, at lunch time we didn’t eat together. We ate the exact same things, but at separate tables set up for the purpose. And, like I imagine most everyone else did, when I was younger I asked why that was. The only answer I ever got from the adults was “because that’s the way it is.” I never found that answer particularly satisfying, but I finally realized that they weren’t holding out on me—it was the only answer they had. I had been told that Martin Luther King was a dangerous radical, and the ones who told me that believed it. Then I listened to MLK give a radio speech on the Viet Nam war and realized, somewhat to my own surprise, that I agreed with everything he said. By this time I definitely had the feeling that “something wasn’t right.” Continue reading