I’m a little tardy with this today, but at least I have a good excuse—I was working through the editor’s notes on “An Account of the Madness of the Magistrate, Chengdhu Village.” Did anyone out there think the job was done once the story was written? Heh. Quite often, that’s the easy part. Then there’s marketing, deciding where you’d like a story to be published—and no, the answer is NOT “anywhere that will take it.” You have to be picky about those things, even from the beginning. If your first venue turns you down, then you consider where next, but only then. If you believe in your work, you want a showcase, not just a venue.
Then, if you’re lucky enough to get the story placed where you want it, odds are more than likely there will be galleys, probably electronic these days, and it’s time to revise the story again, this time taking into account where an editor thinks it can be improved. You can agree or not—it’s your story—but be very clear on what you’ll accept and what you want, and keep your ego out of it. The goal on both sides is to make the story the best it can possibly be, and there WILL be things you missed, points in the story where you didn’t consider all the implications of your text. Keep an open mind, but fight—politely—for your vision. A good editor will not try to turn the story into something you didn’t intend. She is your ally, not the enemy.
And, when all that is done and out of the way, comes the waiting. Again, though this time it’s for the story to be published. As with submissions, the time passes easier when you don’t have your eggs in that one basket. Write the next one.
Time to take my own advice.
Ah, winter in New York State. Two whole degrees this morning, a heating pipe coupling keeps coming un-coupled, and the plumber can’t get here until tomorrow. Last week when the temperature hit fifty-three degrees only to fall quickly, it left a quarter-inch sheet of ice under the snow. Can’t open our back gate, can’t get into the shed, and have to get to the mailbox through the garage. Really good for sledding, though. Our neighbors have been having a blast.
I’ve sold the third story in my Daoist series, working—and probably final—title is “An Account of the Madness of the Magistrate, Chengdhu Village.” It should be up at Beneath Ceaseless Skies sometime this year and of course I’ll post updates as they occur.
Confession time: I’ve never been a huge fan of flash fiction. I always considered it something between a parlor trick and Short Attention Span Theater. Since I’ve joined the local writers’ group, however, I’ve come to appreciate the form a bit more, as we have to write one every week. It does require focus to distill any decent story down to 500 words or so and still have a decent story, with a beginning, middle, and end. It’s also good editing practice, as I tend to go over and have to whittle down the word count without losing the narrative. It’s never going to be my favorite form, but at least I can see the virtues in it now.
Speaking of which, I have one due on Wednesday. Better get cracking.
Quick Sip Reviews takes a look at Beneath Ceaseless Skies #235. Aside from the fact that they liked the stories, it’s nice to find a review site doing short fiction reviews. You don’t see that much anymore. Novel reviews are easy to find by contrast, and part of the reason for that is there is so much short fiction it’s hard to keep track of even for dedicated fans. Novels are a little more manageable, though in sheer numbers they’re not too far behind. Even so, it’s easier to specialize in one facet of our fractured genre at novel length and keep a handle on things that way: Space Opera, Mannered Fantasy, Alternate History, Historical Fantasy, Hard SF, whatever.
Short fiction is a little harder to categorize, at least at first glance, and you sometimes can’t be certain how to pigeonhole something until you’ve read it, and sometimes even then. It sounds rather crass and limiting, to “pigeonhole” like that. It sounds limiting—and it is–but how else to break down the avalanche of material into manageable chunks? Once upon a time it was easier, there wasn’t so much and everything in genre was either sf or fantasy, and a reader/reviewer usually preferred one or the other. Now I don’t know how anyone could hope to keep up.
There are still some places where short fiction is reviewed regularly. Locus does a decent job, and has top notch reviewers. Locus was and is the trade magazine for the sf/fantasy field and it’s in any practitioner’s best interest to keep on top of what’s going on, yet I have to confess I recently let my subscription lapse after (mumble) years. Why? I’m still trying to figure that one out myself. I think it has something to do with how I’m seeing myself in relation to the genre, and considering things that I once thought were true which now I know aren’t. Pretty vague, I know, but right now it’s the best I can do. I’d still recommend it to anyone with an interest in what’s going on in sf/fantasy. No one place covers the field better or more completely.
Standard Reminder: Since I’m now on a weekly schedule with the Story Time page, on Wednesday the 11th of October “The Trickster’s Wife” will be replaced by something else. Read it while it’s there.
Did I mention this already? Yes, well probably. Okay, I did. But that was before, as in it hadn’t happened yet. Now it has. Beneath Ceaseless Skies #235, Ninth Anniversary Double Issue is now live, leading off with the latest in the adventures of Pan Bao, Jing, and the snake-devil trying to be human, Mei Li. In this episode we meet a princess who has been lost for several hundred years and turns to our heroes for help. Pan Bao is either practical or greedy depending on your point of view, and ghosts—how else could she be lost for hundreds of years?—don’t carry a lot of money. Yet even ghost princesses are used to getting their way and this one, it turns out, is very persistent.
The process for writing these stories so far reminds me of the Yamada stories at least in one respect–I had to write several of them before I had a good enough grasp of the characters and the setting to attempt a novel. I think it’s going to be the same here. It’s a steep learning curve, but I think and hope the results will be worth it.
Standard Reminder: Since I’m now on a weekly schedule with the Story Time page, on Wednesday the 4th of October, “Another Kind of Glamour” will be replaced by something else. Read it while it’s there.
The beauty of a blog is that you can write whatever you want. The drawback for both me and the reader is the same. Too many days this is just me rambling on about whatever bright or shadowy butterfly has my attention at the moment. Yet, now and again, I can dispense some actual information. About me, of course, but after all this is my blog and—trust me on this–usually it’s better to let my Ego run free rather than my Id.
Ahem. First item of news: the series (still un-named) that began with “In Memory of Jianhong, Snake-Devil” continues later this month with “On the Road to the Hell of Hungry Ghosts” in the Ninth Anniversary Double Issue of Beneath Ceaseless Skies, which should be online toward the end of this month, so only a few weeks away. Pan Bao and the crew attempt a good deed, despite his better judgment. No telling what they’ll do next. Frankly, I can’t wait to find out myself. A podcast is also planned.
Now it’s time for the elephant in the room, or rather an explanation for the cover image above. A fan who had heard LeVar Burton’s podcast of “Empty Places” asked me why more of my work (and specifically those featuring Tymon the Black) wasn’t available on another platform, said platform I barely knew existed. So I checked it out and discovered that said platform currently wasn’t accepting new publisher accounts, so placing them there wasn’t possible for now. I also realized that, the two novels aside, the three shorter works starring Tymon had never been put together in one place for the time when it might be possible to make them available. So here they are, together for the first time in The Collected Tymon the Black: “A Time for Heroes,” the original novelette which later grew into The Long Look, “Empty Places,” (3rd episode of LeVar Burton Reads) and “The Devil of Details.” Two novelettes and a long short story, at about 25,000 words. I’ve made it available on the Kindle for now, though with luck it’ll be available Elsewhere later. At least if anyone is looking for Tymon the Black outside the novels, there’s a place to find him.