Not too long ago I was listening to a podcast where the guest was a well-known critic/reviewer in the sf and fantasy field. I was especially struck by an exchange during the interview where the reviewer mentioned owning a Kindle and how much he was enjoying it. So the host asked him how owning the ebook reader had affected his reviewing habits. To which the reviewer replied that it hadn’t affected them at all, because he didn’t usually review books on the Kindle. There’s a reason for that, of course, and that reason—at least in theory—has nothing to do with being prejudiced against ebooks. Continue reading
Category Archives: magazines
Year End Report – 2011
We’re coming up on the end of the publishing year, which in some ways for me has been a little thin this time around. There are reasons for that, yes, but they don’t change the result. I’ve published four stories this year in the traditional way, and I use that term loosely since only two of those were print publications. Electronic media’s becoming the new “traditional,” and soon the idea of paper except for very special projects and limited editions will be seen as positively quaint. I was on track to publish five original stories, which is pretty typical for me, but we all know what happened to Realms of Fantasy. So it goes. I started to compile what would have been a very brief summary when it occurred to me that to consider only the traditional venues marginalizes what else I’ve accomplished this year, projects which I am rather proud of, frankly, both for breaking new ground in my attitudes and pushing my comfort zone into the 21st Century. So for the first time ever I’m going to give my yearly breakdown in two separate sections: Traditional, and eBook.
Can of Worms? Meet Can Opener
There exists, somewhere on the net, a small old-fashioned (seems odd to say it, but it’s true) discussion board. An eddy in the current of the internet, if you will, or rather a backwater. It was designed before blogging was a twinkle in the would-be pundits’ eyes, and hardly anyone goes there anymore. Except me, and a few other die-hards. We’re a self-selected and dwindling group at this point, but we hang on, and the reason we hang on is that we can talk about things there that no one in his or her right mind would put out on the internet. This place isn’t secret, but it isn’t indexed either, and the discussions there don’t propagate or get linked, and that’s how we like it. All as a preamble to a question that rather threw me. So much so that I’ve decided to consider it here.
The question was simple: “Do you, as a male fantasy writer, ever feel isolated in a field dominated by women?” Continue reading
Love in the Time of Trunk Stories
If you follow the field at all, every now and then you’ll hear disparaging remarks about something called a “trunk story.” An editor for a new magazine or anthology (or a new editor for an old magazine) will usually make it part of the submission guidelines: “Send me your best. I don’t want your trunk stories.” For the perhaps two of you at most who don’t know what that means, a trunk story is just one that hasn’t sold, and hasn’t sold in a persistent or dramatic fashion, to the point that the writer either loses confidence in it—if they ever had any—or simply, for want of another suitable market possibility, files it away. Sort of a “time out.” The “trunk” part was probably always metaphorical, unless one had enough manuscripts of that type that they required a physical trunk to contain them. Back in the days of paper subs, I found that a cardboard box worked just fine. Continue reading
Ringing the Changes
I was checking some articles on my old web site and was struck by how, well, for want of a better word, useless some older posts on the business of writing were. I mean, take the one on manuscript preparation, for example. Perfectly good advice…for 1997. Back when most venues were still paper-only and email was only good for querying, and not always then. Now it’s email attachments or online submission forms in all cases except a handful, though when I first started submitting the publishers were fighting those kind of changes tooth and nail and more teeth. That was then, and not everyone could wrap their heads around the notion that the way it was didn’t necessarily reflect the way it would be. Continue reading
Richard Parks 