Review: The Ten Thousand Doors of January

The Ten Thousand Doors of January, Alix E. Harrow, Hachette Book Group, 2019.

January Scaller is a young girl living in the mansion of the insanely wealthy William Cornelius Locke, a mansion packed with valuable collectables from all over the world…and some that apparently don’t belong in this one.  Her father, Julian, is an employee of Mr. Locke charged with traveling the world in search of said wondrous objects, so he isn’t home very much. Sometimes Mr. Locke has to travel himself, and sometimes he takes January with him as a treat or distraction.

On one such trip, January finds a doorway between worlds. So much for plot summary, because what happens doesn’t actually tell you what’s happening. That’s a separate issue altogether. Suffice to say there are more doors where that one came from and January’s discovery of them leads into all kinds of trouble, and not just for her.

I picked this one up on the recommendation of people whose taste and judgment I trust. I’m also a sucker for portal fantasies, probably ever since I came across George R.R. Martin’s “The Lonely Songs of Laren Dorr” in Fantastic Stories years ago. This is one of the best ones I’ve ever read. From the first page I knew I was in for a treat, for it was clear the author was a person in love with language, specifically language in the service of story. A sentence might be as long as it needs to be, and sometimes it may be convoluted, but it’s never clumsy. A sort of wordy precision which is almost but not quite a contradiction in terms, and so rare to find.

I don’t think I’m giving too much away to note that January isn’t quite what she seems, but then neither are most of the rest of Harrow’s cast. Of course their secrets are tied to the existence of the doors and the astute reader will winkle most of it out before book’s end, and that’s half the fun. There are elements that wouldn’t be out of place in a horror novel, but this isn’t one. There’s contemplation of the nature of story itself and its role in the world. Not to mention one adventure after another, which are all part of the same adventure: growing up, and self discovery.

Recommended. Heartily.

Quick Alert

Not that I need a Lert. (Sorry, old fannish joke).

Ahem.

There will be a price promotion on my novella , Hereafter, and After, starting tomorrow at 8 A.M. PST, and lasting…well, not that long before the price starts going back up. This novella was originally published as a limited hardback from PS Publishing. Here’s what Charles de Lint had to say about it in Fantasy and Science Fiction:

” (It) allows Parks to poke gentle fun and make some serious commentary on our belief systems, and it gives us a terrific read. Hereafter, and After is a story that would have made Robert Nathan or James Branch Cabell proud — and probably would James Morrow, too, who’s still alive and could read it. And it certainly shows that Parks has the chops to work at a longer length.”

Been a while, but I’m still blushing.

Progress Report and Some Minor Rebranding

Since one or two of you expressed interest, I’ll start off with a brief progress report on the 4th (and I think final) book in the Laws of Power series, working title The Seventh Law of Power. I mean, there are seven laws total and Marta’s looking for number 6 and 7. Once she finds the 7th, well, the point of the whole thing will finally be made manifest. And there will be a point, I promise. That’s the plan. A lot is going to depend on how the next few sections go. As it stands, I’m approaching the end of Chapter 3. Marta’s getting a new servant with a lot of baggage. About 200 years of it.

And Tymon the Black is coming out of the retirement he was never really in.

I still plan to post at least a few opening chapters along the way, but not until I’m far enough along that I know I won’t be doing major cuts/rethinks to the first few.

Other Business.

I really don’t like the word “rebranding,” as it implies I’m a brand. Which I’m not, for yay or alas. But every now and then revisions must be made, and not just in stories. One of my earlier books, The Ghost War, only has one review, and it’s a crappy one, mostly because the reader looked at the cover, assumed it was something in my Yamada series, and was disappointed. While a quick scan of the description should have knocked that idea down, to be fair I see the point. While I think it was a very nice and evocative cover, some of the armor being worn certainly shows a far east influence. Here was the original cover:

 

 

 

 

 

 

 

So I changed it to something which still fit the story (the main character soul-casts into a raven’s body at several points) but couldn’t possibly be mistaken for a Yamada story at first glance, like so. This isn’t about which cover any of us might prefer. The point is if the cover was misleading anyone, it needed changing, so I did. Here’s the new one.

 

 

 

 

 

 

 

Problem, if not solved, perhaps prevented from propagating. Here’s the thing though—I’m still showing what I still think is a pretty decent book (while I was cleaning up the text for the re-release, I read a few scenes I didn’t even remember writing, and thought “Dang, this guy can write. Ego? A little.). And yet here it sits with one 2 star review. Not very enticing.

So here’s the request: Anyone who’s read the book but never left a review, would you consider it? I’m not asking for anything more than an honest review, but at least this time let it not be about the cover. That would be a pleasant change.

Review: Ahab’s Return: The Last Voyage

Ahab’s Return: The Last Voyage by Jeffrey Ford. William Morrow, 2018, 259pp.

 

In the mid19th century, a man named George Harrow works as a fabulist for a penny dreadful called The Gorgon’s Mirror, making up absurd stories for a willingly gullible readership. It’s hard work making up the right kind of nonsense and he’s going through a bit of a dry spell, so it seems a stroke of luck that brings a one-legged sea captain to his office, claiming to be ‘the’ Ahab from Moby Dick. Which, of course, was actually written by Ishmael, a former writer/copy editor at the Mirror, and not that Melville fellow.

Ahab, it seems, did not drown attached to the great white whale after all, and is now returned, looking for his wife and son who believed him dead. Harrow, of course, sees the possibility of a series of stories based on Ahab’s experiences and his search for his family, and offers his help in exchange and we are off and running.

Ahab’s wife has long since passed away and his son, Gabriel, is one of many young men in the thrall of a Fagin-like criminal boss called Malbaster, who keeps the so-called Jolly Host in line with opium and appeals to bigotry and racism. There’s also a sad zombie(ish) assassin named Bartleby, and a manticore who eats people and recites poetry. Ahab and Harrow assemble their own team: Arabella, an apparent opium fiend who is much more than she seems. Mavis, a courier for the Mirror and genuine badass, and Madi, a former harpooner and fellow survivor of the Pequod. Many alarms and excursions as the group attempts to rescue Gabriel from Malbaster’s clutches and put a stop to Malbaster.

All of which is and is not what the book is about. Malbaster himself drops a hint at what’s really at stake:

“…Love generates great energy with which to form the world. But Fear and Ignorance aren’t bad themselves, producing their own grim yet powerful magic. The secret, Harrow, is e pluribus unum.”

I don’t think I’m giving away too much by stating that a great deal of the book revolves around Malbaster’s true nature, and true danger. Any reader well in is going to pick up on that, and plainly see the correlation to certain events taking place in this country now. If you’re not into subtext, you’re still left with a rousing magical adventure taking place in the New York of 1853, including references to and plot points depending on: changing street names, Seneca Village, and John Jacob Astor’s secret stash of opium.

Reading over the above, I have to say that it just doesn’t do the book justice. Ford is at the top of his game here, and there isn’t anyone better (or at all) doing what he does. Read the book yourself and you’ll understand what I mean.

 

It’s a Seasonal Thing

Not quite late, exactly, though this is going up a little later in the day than I usually try to manage. Couldn’t be helped. As you all know, it’s now December, approaching—for those who celebrate, and even for many who don’t—Christmas. It’s hard to avoid at least and impossible at most. Those of us caught up in the orbit of the Yule Season have certain…obligations, shall we say, that go along with the annual celebration. Some of them are familial. A few are even spiritual. For some of us, however, they are more of a ritual.

It was time to re-watch “Santa Claus Conquers the Martians.” Well, it was either that or “Santa Claus vs the Devil.”

Sure, you could take the easy way out and go for “A Charlie Brown Christmas,” but as far as I’m concerned that particular holiday joy is more in the line of collateral damage. It’s something you often end up doing or being done to, willing or no. Seasonal films like “Santa Claus Conquers the Martians” usually require a little more effort. They’re not that hard to find, with the right streaming service, but as a rule you do have to look. And you have to know to look, which to me places them in an entirely separate category.

For one thing, they’re really bad.

As films, that is. As cultural artifacts? Priceless. The sheer cluelessness of  “Santa Claus Conquers the Martians” is so absolute that it transcends into a sort of pure and beguiling innocence. You can’t find that just anywhere. And after repeated viewings, I still find new things. For instance, for a while I had it my head that one of the Martians was played by Jamie Farr, even though I knew the time frame was too early. Only later, when I bothered to check, I found that it was actually an actor named Al Nesor. Quite a resemblance, though.

And yes, I know it doesn’t take that long to watch “Santa Claus Conquers the Martians.” Only after watching it we stumbled across “RiffTrax: The MST3K Reunion.”

That took a while.

Worth it.