Heroes: Andre Norton

Perilous-Dreams-AndreNortonWhere the heck was I? Oh, right. Heroes.

Andre Norton. For those too young or otherwise disadvantaged to know, Andre Norton was a prolific science fiction & fantasy writer who started publishing in the 1930s and continued to do so into the next century (at the moment, this one). I’m not going to even attempt to summarize her career, since this is about one of my writing heroes, and therefore this is Andre Norton in relation to me. If you’re curious, and you should be, a decent place to start is her entry in the Encyclopedia of Science Fiction.

Now then, here was the situation—I grew up in a very small southern town, and I was a reader. This was a problem for many reasons, not least of which being there was no bookstore within twenty miles and little money for buying books in the first place, and no library. Well, okay, the local school I attended had a library…only, for the first few years of its existence, students weren’t allowed to use it. And no, you don’t need to tell me how &%%# crazy that was. I know. In my one glorious term as a member of the Student Council, I complained about this in our very first meeting. The principal thanked us, and never called another meeting. He learned his lesson and I learned mine. The problem remained.

My only salvation was the county library eight miles away. Every week they sent out a bookmobile to the less fortunate towns in the county, mine included, and there…

Robert Heinlein

Isaac Asimov

Andre Norton

Ray Bradbury

Those were the top four authors I first discovered in the Newton County Bookmobile, so for better or worse, that mobile library is part of the reason I am the way I am. That’s a debate for another day. Yet as much as I enjoyed Heinlein and Asimov and especially Ray Bradbury, it was Andre Norton’s work that resonated the most with me at that time and place, at least partially because there was so much more of it.

I’m not really sure when I discovered that Andre Norton was born Alice Mary Norton. It’s not as if I was plugged into sf fandom or even knew it existed, but it was well before I graduated High School. I don’t even remember for certain which of her many, many books I read first. I believe it was either Galactic Derelict or The Time Traders. Not that it particularly matters. I got my hands on every single one of her books I possibly could, but to this day I have read barely a fraction of her work. So I’d like to talk about one in particular—Perilous Dreams.

This was from a time I was in college and buying my own books, when DAW Books was the place to be for the type of work I was looking for. John Brunner. Tanith Lee. Thomas Burnett Swann, for heaven’s sake. Those yellow spines and George Barr illustrations were practically a trademark. Perilous Dreams was a book about a woman who could move between worlds through dream. It wasn’t so much a novel as a series of linked novellas, given a handwave of genetic dispositions and technology, but basically pure fantasy and I read it that way.

This was a key book, and what I mean by that is this book was one of the ones that opened the door between the reader I was and the writer I was going to be. It resonated, as did The Gods Abide, Lord of the Rings and The Earthsea Trilogy a little later. It was one of the books that made me think about being a writer. Why? If I could explain that I’d be a lot smarter and wiser than I know I am. It wasn’t a perfect book by any means. Perhaps overly romantic, a bit disjointed. Don’t care and didn’t matter. Anyone who’d read both would know that my own A Warrior of Dreams, while certainly different, is me paying tribute to Perilous Dreams. You assimilate your influences and move on, sure, but it serves one best to understand what they are and who they are.

Andre Norton is one of mine.

Brief Update: Yesterday I passed the 60,000 word mark in Yamada Monogatari: The Emperor in Shadow, so I’m about 2/3 done, if I’m right about what’s left to tell, and I think I am.

Swords, Demons, and More Princesses Than You Can Shake a Haruegushi At

YamadaEmperor-600Watching a writer work must be the most boring activity in the known universe. At least with watching paint dry you can watch the slight color change that usually happens during the process. A writer can be hard, nay, even furiously at work and still moving less than the average graveyard angel. Then comes the big burst of activity—if you’re both lucky—typing. Or maybe scribbling with pen and paper, if you’re into that old school method. Then…nothing again. For greater or lesser slices of eternity. Most writing doesn’t happen on the page. It happens somewhere inside and in the kinetic connection between mind and computer keys. When it happens, which isn’t always.

Still getting the words down, which is what it’s all about. Making my quota most days, sometimes a bit more. Hit something of a milestone this morning when I crossed the 50,000 word threshold. As thresholds go it’s pretty meaningless, but to me it signals that the book is over half way done. I don’t write doorstops, I know I’ve mentioned this before. I expect to wrap it up at about 90,000 words. If I don’t, I’ll be as surprised as anyone. I know what’s already happened, what’s about to happen, and a penultimate scene that breaks it down, wraps it up and kicks the entire thing to the curb. In a good way. Some old friends return. Some not-so-friends, and All is Revealed. Well, most of it.

I am so looking forward to that. I think Yamada is too. And by the way, this is a three-princess book. First time I think there’s been more than two. Nope, three. And one especially.

 

Winding the Crank

WRITING 02

Spent all day up to a few minutes ago doing taxes. I had been putting it off, mostly because I knew I’d lose a writing day just to get everything together (moving, buying a house tends to complicate things, and they’re complicated in the best of times). So now I’m tired and cranky, which is the perfect time to do a blog post. Heck, I’m almost cranky enough to start on politics. Almost, I said. I’m not a complete idiot. Most of the time, anyway.

Despite the curtain state of crankitude, I’m pleased with my progress on the book, and rapidly approaching the halfway point. Some things resolved, a lot more that has yet to be. Looking forward to a final scene that should be killer and I can’t wait to write it, but I have to write the rest of the book to lay the proper groundwork for it, otherwise it won’t work. I call it motivation. Other people just call it, “Seat in Chair, Hands on Keyboard. Now Work!”

Just around the time the book should be done I have an Asian-themed story due for an anthology. It won’t be a Yamada story. Time to do something else, and specifically, time to write some short fiction again. I’m thrilled to be able to do novels, sure, but I love and miss the short form as well, of which I’ve been able to do practically none in too long a time, first with the Laws of Power book, and then the Yamada taking all the writing time I’ve had. I have one more book to write in the Laws of Power series and that’ll be done. Yamada? Well, we’ll see.

 

Spring? Almost? Really?

IMG_0486

My guitars are up and my rug is down. Other than that, most of the last few weeks have gone by in a blur. Still haven’t been able to do anything about the ugly curtains in the library, mostly because they’re currently blocked by a bookcase which I can’t move until we know where it’s going, and room is cleared in that space for the going thereof. Wish I could keep it in here, but there’s no room. I’m planning a couple of low profile bookcases but otherwise, I have to work with what I have. Still too much stuff for the space. Can’t make more space, so the solution is painful, but obvious.

Part of the reason for the blur is that most of the mornings have been turned over to the book, which doesn’t leave a lot of energy in the afternoon for getting the house where we want it. Still a ton of stuff to do. On the plus side, we seem to have survived our first New York winter. I’m told this was a rather mild one (coldest night was a mere -19 F). Fine with us. We were hoping for a training winter, so I could develop my snow shoveling and salt spreading chops. Very different from the south. In Mississippi we were losing the concept of seasons. It was either Summer-like or Winter-ish, and Winter-ish was losing ground steadily. A lot of places don’t even have seasons anymore, at least not like they once did. Up here in Central NY, that’s not the case. At least for now.

Enough with the boring domestic details. I have a book to write, and that’s taking all the brainpower I have left. So in lieu of anything actually inciteful or interesting, snippet time:

 

“Yamada-sama, I was instructed to give this to you personally,” Hiroshi said.

He held out both hands palm up, and resting there was a small sheet of washi neatly folded into the form sometimes referred to as a “lover’s knot,” since it was nearly impossible to re-fold properly once opened, and so had the virtue of making it extremely difficult for anyone else to read the message without the intended recipient knowing that the communication had been compromised. I took the paper and unfolded it carefully to read:

“Autumn wind rushes past
An empty garden where once
The peony bloomed.”

After the poem, there was a simple message: “I would speak with you in private.” I dismissed Hiroshi then showed the paper to Kenji, who frowned.

“It seems you will be allowed an audience with the High Priestess of Ise,” he said.

“Allowed? It sounded rather more like a command.”

“It also sounded as if we—well, you—were expected. That poem….”

I nodded. “Yes. It’s a reference to the death of Princess Teiko. “Peony” was her nickname at court. She held it from at least the age of seven. Not just anyone would know that, especially now, but Princess Tagako is one who would. Without mentioning either of our names, it was clear the message was for me.”

My time at court had been so long ago that I sometimes forgot the way the mind of someone raised in the emperor’s circle tended to work. The message would have seemed innocuous enough to anyone else who discovered it, yet to the intended recipient—myself, in this case—there was far more to be read. Princess Tagako’s note reminded me of Teiko in more ways than simply the poem.

Kenji frowned. “Why would she bring up Teiko? That seems rather indelicate.”

It was more than indelicate. It was deliberate, implied far more than it said, and was aimed precisely at me.

“Indelicacy with a purpose, I think, though what that purpose is, I cannot fathom. I must go speak to the saiō.”

“You must also finish the tanka.”

I winced, but Kenji was right. The form of the poem required an answer, or rather, a shimo-no-ku, a lower phrase, which must also be in the proper form. Princess Teiko had always been somewhat amused at my attempts at poetry, but this occasion called for me to try. I sent for a portable writing table and quickly prepared the ink. First I copied Princess Tagako’s poem as best I could and, after many hesitations and false starts, wrote down this:

“Autumn yields to winter’s cloak,
In Spring, flowers bloom again.”

Kenji looked at what I had done. “Lord Yamada, for you that almost sounded hopeful.”

I sighed. “Yes. If I had more time…well, it still wouldn’t be any better.”

 

 

Going, Going…I lied. Already Gone

3rd Story CollectionTo the left is the cover of my third story collection, issued in 2010,  On the Banks of the River of Heaven, which is the title cut. Not only was it the third collection in ten years, but it was my first hardcover collection. As of a week or so ago, it’s out of print. If you look on Amazon it will say that it’s “Temporarily Out of Stock,” but this isn’t so. There may or may not be a few stragglers with the publisher and a few more with me, some in the used market, but basically it’s gone. We’ve talked about that whole thing where publishing short stories is like “throwing rose petals in the Grand Canyon and listening for the thud.” It was definitely true here. I can’t complain too much, as the book sold well enough to finish out its run, which is something a lot of print books never do, but in five years it never got a single Amazon review. Things like that tend to make a writer feel unwanted. Whereas on GoodReads it had sixteen ratings and a score of 4.5 out of 5.0, and anyone on GoodReads knows what a tough crowd they are. It is a good book, and I’m not going to let the fact that I wrote it stop me from saying that, but its time on the physical plane is over. It will live on, possibly forever, in ebook form.

I have to keep it short today because I’m on deadline. I’ve almost never been on deadline in my entire writing life, but there are firsts for everything. Time to get back to Yamada, and today promises to be interesting. I have the strong feeling that an Imperial Princess is just about to tear Lord Yamada a new one. Is it wrong of me to say that I think I’m going to enjoy this?