Such Stuff as Dreams are Made On

Epi Les Paul Special IIWhen a kid picks up the guitar at twelve they might be dreaming of being the next Buddy Guy or Jimmy Page or Bonnie Raitt or Rosie Flores. When one of us starts writing seriously, we might be dreaming of being the next Flannery O’Connor or William Faulkner or Ursula Le Guin or Stephen King or Arthur C. Clarke or…well, pick your own poison. Those are what I tend to think of as “flash paper” dreams. Doesn’t take much to turn them into smoke and vapor. Usually a couple of years of working hard and getting nowhere will do it. The interesting thing about the whole process is not that most people quit at this point but rather that some people don’t. I mean, “You can’t have what you wanted, so forget it.” is a pretty powerful disincentive for staying the course. So why hang around when that fact become all too clear?

I think those who don’t quit are the ones who get new dreams. Not “settling for less,” but rather discovering something you didn’t know about in the first place. Something you didn’t even know you wanted, because you didn’t know it existed. In which case your original dream has done its job. It got you started, pointed in the direction you needed to go, even if that place you’re searching for wasn’t where you thought it was. J.R.R. Tolkien made me want to be a writer, but I figured out pretty much immediately that I wasn’t going to be the next J.R.R. Tolkien. For one thing, he was pretty much sui generis and there wasn’t going to BE a next J.R.R. Tolkien. Any more than there was going to be—more of my heroes–another Ray Bradbury or Ursula Le Guin or Fritz Leiber. They’re them and you’re you. Once I got clear on that, then it became okay to figure out who I was and what I really wanted.

I’m still working on that and don’t expect to ever sort it out because the bar keeps moving, and for what little it may be worth, I wish as much for you. You work, you live,  and who you are and what you want to accomplish keeps moving, keeps evolving. That’s better than okay—it’s crucial. As time goes on you’ll know more. If you’re lucky, you’ll understand more. And what you think is important won’t stay the same, at least not entirely.

Getting started is what some dreams are for, but odds are they won’t be the ones that keep you going. And as for who you’re eventually going to be as a writer, that’s not really your problem. Anyone who cares to can sort that out after you’re gone. Maybe you’ll be someone else’s dream, for a while. Maybe not, but either way what matters is that you, when the choice was there, was able to grow and evolve along with those dreams and almost but never quite–a blessing on you–keep up.

Milestones Redux

YMDH-AT-BNI’ve talked a little bit about milestones before, those little markers that tell you that you’re making progress. Your first actual rejection (easy to get, but it shows that at least you finished something). Your first personal rejection. Your first actual sale. Your first…well, whatever. One of the beauties of the system is that you get to pick your own milestones. That’s the thing about milestones—by their very nature, they are personal.

The picture above represents one of mine, though at this point it might also qualify for a bucket list. So what is it? It is two copies of Yamada Monogatari: Demon Hunter on sale at our local B&N. Granted, I’ve been able to walk into a local bookseller and buy my own work for years, but only in the context of a magazine or anthology. This is the first time I can walking into a brick and mortar and buy a real live book that was entirely written by me. A reader living in New York or L.A. or Washington can walk into their B&N and find this. Books often succeed or fail for reasons other than the content, but that won’t matter. My name is on the cover, and whether it stands or falls, it’s on me. That’s a little scary and, imo, long f%$*#ing overdue. But it’s a milestone I wasn’t sure I was ever going to reach. Took me long enough, but I finally got there.

So where’s there, which is now here? The same place it always is—the place where the work is done on the way to the next milestone. Which, as I’ve said before, is not a destination. Do you ever pull onto the highway with thoughts of visiting the 334 mile marker, maybe camping out, take a few photos? I’m pretty sure you don’t. More like “I made it this far, only so many miles left to where I’m actually going.” Which is where?

Which is onward.

Passed 20,000 words last week on the new book. Which is not a milestone, but at the moment it is something much better–it is progress. I try not to confuse the two.

Roaches Check In…

FoxAs do I. The Yamada novel progresses, not as quickly as I’d like, but then I’m never satisfied with my progress this early in the game. This to me is the “follow the novel where you think it’s going, stop for a bit when it throws you, try to judge the new direction, and whether it actually is a new direction or a different way of going where you thought all along, then proceed and find out.”  Rinse. Repeat. At some point the feints and red herrings are going to…well, not go away, but there comes a point where they no longer fool me. The time will come when I know the book, whether it wants me to or not, and it can’t shake me. Then come the burst days when the words just fall from the jetstream of me zooming past. I like those days. Takes a while to get there, though.

Regardless, I passed the 10,000 word mark last week, so I’m reasonably mollified, if not actually content. We’ll see how I do this week. Not that I’ll necessarily tell you or you’ll necessarily want to know. But it’s on. It is so on.

In the meantime, and if anyone’s interested, SFSignal.com has published an interview with me conducted by  .  She asked some good questions, mostly about the Yamada series and where all that came from, and if I ran on a little, well, the questions made me do it. You can read the whole thing here.

Plodding, With Occasional Smites From the Heavens

Hailstone1We’re kind of at the point where nothing is happening, but that nothing has to happen in just the right way. By which I mean that I’m well into the book and at the stage, which lasts just about until, oh, the time that stage ends, when I don’t know what I’m doing, I don’t know what’s going to happen except perhaps in broad strokes, and I still have to figure out how to write this book. And to those who say, you damn well should know how to write a novel by now, I can only answer (cribbing from a colleague of mine), “Of course I know how to write a novel. I know how to write the one I finished last. Ask me anything about To Break the Demon Gate and I can tell you. Ask me about The War God’s Son, and I can only stare at you, and possibly drool a little. One of the few things I know for certain is that I’m approaching the 10,000 word threshold. Why is it a threshold? Because I say it is. Or a mile marker. Kind of the same thing in this context.

None of this is especially worrisome to me. I don’t know how everyone else does it, but I go through this every time I write anything, be it short story or novel or blog post. It’s just that with a novel it is far more obvious, and the stage lasts longer. I’m not worried, but if I had any sense I would be. Sometimes sense isn’t your friend.

As for the picture, that’s what the sky dropped on us Monday. I’ve got a couple of big dents in the truck roof and a thoroughly cracked windshield. Other people got worse, though we’ll have to let the insurance adjuster inspect our new roof to make sure it wasn’t totalled. Real life waits for no novel. I don’t think ‘real life’ is a reader.

Processing…

Yoshino-1I managed about 1000 words on Monday, then about 2000 yesterday. Today…well I guess I’ll find out when it’s time to take stock. Writers love word counts. Writers hate word counts. Or rather, love having them or hate not having them. Even if you’re not working on something, you feel like you should be, and why the heck aren’t you working, you lazy worthless slacker??? Where’s your word count??? Continue reading