Wait For It…

SleepingBuddhaI love to wait…said no one, ever. And yet it is one of those times. PS Publishing has an artist lined up for the cover of To Break the Demon Gate, but even preliminary sketches take time and I won’t have any idea what the cover is going to look like until much later in the process. I’ve got contracts and royalty payments hanging fire, but again nothing is ready now and won’t be for weeks, likely. I’ll send out the manuscript for The War God’s Son probably later this month, and there’s another long wait in the making.

Everyone has to “wait for it” at one time or another, in cases where it can’t be avoided, like the DMV or the dentist’s office. Relatively brief times, but they seem longer because there’s nothing else to do but anticipate the joy to come. But for what I call the real waiting, on matters that may take weeks, or months, even years? I sometimes think writers do more than their share. We’re always waiting, if we allow it.

Whaddya mean, “if we allow it”? It isn’t up to us! Oh, but it is. The key to bearing up to all the waiting, of course, is that you’re not waiting. Or to be more accurate, you’re not just waiting. There are things to do, stories to write, books to read, guitars to play, tires to patch and gutters to muck out. You don’t keep yourself busy as a distraction, you keep yourself busy because you’re alive and you’ve got better things to do than wait. Then one day a check and/or contract arrives in the mail, an email arrives with a decision made for good or ill, or maybe a preliminary/final cover jpeg arrives, and you go “What? Already?”

Or you can simply “wait for it” and focus on what isn’t happening and stew away your stomach lining and your last good nerve all the while, and waste one hell of a lot of precious, non-retrievable time in the process. That’s always an option. Not a good idea, but an option.

No one likes to wait. The trick, if there is one, is to simply refuse to do it.

Auld Lang Sighs

Lucille2013. Ugh. If that year had been a story in a slush pile, it wouldn’t have gotten past the first reader. I did see one new collection published by Prime, and finished the next Yamada novel (The War God’s Son), so it wasn’t a total waste. 2014 looks to be…interesting.

So. Anything you’re looking forward to in 2014?

Tis the Season…Again

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Now that the contracts are signed I can go ahead and mention that Jonathan Strahan is picking up “Cherry Blossoms on the River of Souls”  from the October 2013 BCS for The Best Science Fiction and Fantasy of the Year, Volume 8. This is the first time I’ve made it into one of Jonathan’s year’s bests, so I’m pretty chuffed. It almost makes up for the fact that we just had to spend three grand to repair and upgrade our hall bath. Nothing like a forced remodel at Christmas to put things in perspective.

Speaking of which, I’m still not done with my Christmas shopping, but that’s pretty typical. One present is definitely going to be late and another might be. I just don’t handle the holidays as well as I should and the stress doesn’t really end until after Easter. A character flaw in me, I know, but there it is.

The next step in the publication of To Break the Demon Gate is the final selection of the artist (which is the publisher’s remit) and reviewing the preliminary designs of the cover. I have to say that I like this part of the process, since other than rendering an opinion—something I usually have no problems with—I don’t have to actually do anything. It’s all on the artist and the publisher at that point. When the book is out, of course, that’s another story. And I like that part too.

Come January I have two novel manuscripts to send off to Prime Books. One’s publication is already settled (the reprint), the other’s isn’t. That’s stress, too. But it still doesn’t compare to the holidays. I hope ya’ll are handling it better than I am.

A Word About Conventions

WRITING 02If you’re a writer in the sf/f tradition, the subject of conventions is going to come up sooner or later. If you’re coming to writing through fandom, chances are that you’ve been attending conventions for a considerable length of time and what is there to talk about? And then there are those new authors who get told by their editors or other close associates that “You really need to attend conventions” and they go “Conventions? What’s that?”

What it is often called, or was before sub-genre fragmentation took over, is “A Gathering of the Tribes.” (Though some reserve that term for WorldCons) Fans and writers and artists and such folk gathering together on a weekend to meet each other, talk shop, drink in the bar, hang out with friends, sometimes attend panel discussions and readings, maybe meet your favorite author. That kind of thing. There’s usually one going on somewhere, most weekends.

I still remember my very first, long before I was selling. I was never a real fan, mind you. Probably for the same reasons that I’ll apply to the subject of conventions in a minute, but I was a reader and aspiring writer, and I knew about them. Usually they were taking place a long way from where I had just started work after college, and I had no travel budget to speak of. However, I learned of one within driving distance, and it was JUST IMAGICON, being held that year in Memphis, TN. It was back in 1978, and as for the convention itself, you can probably imagine what it was like for someone like me: Theodore Sturgeon. Kelly Freas. The de Camps. It was, and I say this without either irony or hyperbole, like walking among gods. Continue reading

Muse and Writer Dialogues #10

Chapter4FADE IN

 A room that passes for an office. There are bookshelves on one wall, a motley assortment of carvings, signed storyboards, and framed magazine covers on the free wall space. On the far wall is a medieval-style heraldic wall display of a cockatrice and a banner in bad Latin “Pullus non Est.”  Horizontal files sit beneath the window , and on top of those  there used to be a free-standing rack holding Japanese swords, only they had to be removed because of the cats. The computer desk is on the wall nearest the door, facing away from the window. Beside that is a printer on a stand. In the base of that is a PC and a PS3. The PS3 is not currently in use.

Enter the  MUSE, currently in her Greek goddess mode. Writer is sitting at the desk, watching an instructional video on the computer.

MUSE: What are you doing?

WRITER: Taking a music lesson. I’m learning to play “Bad Moon Rising.”

MUSE: You are not a musician. You are a writer, and you’ve got writing to do.

WRITER: First, I’m not a musician YET.

MUSE: Stop kidding yourself. You don’t have the knack. You know it and I know it. Continue reading