Review: When I left Home-My Story by Buddy Guy with David Ritz

Da Capo Press, 2012. ISBN: 978-0-306-82179-0

 

The great bluesman Buddy Guy’s story in some ways was the story of any bluesman who left the South for Chicago near the middle of the 20th century, lured by the electified sound of what’s now called the Chicago Blues, created by earlier artists like Muddy Waters, Earl Hooker, and Howlin’ Wolf. In some ways it’s not like so many other artists’ stories at all, for so many of them lived and died in complete obscurity. That was not Buddy Guy’s destiny, and of course that’s the bulk of what this book is about.

Buddy’s early life as a sharecropper’s son in Louisiana, however, is not given short shrift. There’s a good deal of fascinating detail about what life for a black man was like at that time and in that place, the strong values his parents imbued in him, and what led him to music in the first place. This information has to inform the reader’s understanding of the next phase of his life, when he left home to make his fortune in Chicago. Continue reading

We Are the Champions

Yamada_BTG_cover-V06b-PrimeEven as I started thinking about this subject, I had to flash back on a classic George Carlin routine: “My needs aren’t being met!” The answer to which was: “Then get fewer needs.”

We try. In some ways the tools of being a writer are some of the simplest for any avocation you can name. Most of our tools are internal, so no stocked shop, power tools, grinders, wrenches…just time, space, paper and pen. Which is, of course, rubbish, and you can see the flaws right away. I mean, sure, you can write with a pen and paper, but when it comes time to actually do something useful with what you’ve written, at the very minimum you’re going to need a way to produce typed copy. In theory a working typewriter will do, but in practice you’re generally talking about a computer and email. Perseverance is a matter of personality and just how long one can bash your head against a brick wall, but basic functioning as a working writer is another matter. There are things required. So that got me thinking about what writers really need, as opposed to, say, what we want. Continue reading

Review — Dororo, 2007

Director:  Akihiko Shiota

From an Original Manga by Osamu Tezuka

Cast: Satoshi Tsumabuki, Ko Shibasaki, Kiichi Nakai, Yoshio Harada, Eita

Here’s our nutshell premise—in a fantasy version of Japan, the warlord Kagemitsu Daigo is on the losing, soon to be annihilated side of a clan war. To save his clan and gain revenge, he makes a deal with 48 trapped demons—he will let each one claim a part of his infant son in return for the power to defeat his enemies. The part could be an arm, a leg, a liver, a heart, whatever. Possession of this bit of humanity will allow them to free themselves from the temple where they are trapped. They agree and do, the Daimyo does, and from there embarks on a campaign of conquest to bring the rest of the country under his twisted, evil rule, setting free the 48 demons in the process.

Now, here’s where it gets weird–the child doesn’t die. After the demons get through with it, what’s left of the child is merely placed in a basket like Moses and sent down a river. Continue reading

Review – Way Station by Clifford D. Simak

1964 McFadden Ed.

Way Station – Clifford D. Simak, Doubleday, 1963 (Originally published in Galaxy Magazine as “Here Gather the Stars” in a two-part serial. Hugo Award, best novel, 1964. (Amazon).

The premise of Way Station is about as simple as it gets—alien races in our galaxy have long since solved the interstellar travel problem by means of a device that transports individuals instantly from one planet to another, and it doesn’t matter if that planet is in the same solar system or halfway across the galaxy. The trick is that the transportation signal degrades under certain conditions and so some jumps require a temporary stopping point where the transport signal can be renewed and the traveler sent on their way, thus the Way Stations of the title. Every Way Station requires a station keeper, someone who can run the machines and greet the travelers and make sure they are sent on their way properly. When the aliens expand into our spiral arm of the galaxy, Earth is the perfect place for such a station, but it needs a keeper. Galactic Central chooses a local, Enoch Wallace, a recent Civil War veteran. His home is converted into one such station, which provides for all his physical needs and is a safe haven from the outside world. As long as he remains inside the station, he does not age at all, and brief errands outside only take a few minutes or hours off of his lifespan. Over one hundred years later, Enoch is still on duty. Continue reading

Review — The Sorcerer and the White Snake

The Sorcerer and the White Snake (2011, Directed by Ching Siu-tung, starring Jet Li)

 Those who have read my review of White Snake, Green Snake will find a lot of parallels in this movie, and that is not a coincidence. The Sorcerer and the White Snake is another retelling of the Chinese legend of “Madame White Snake” and if anything follows the details of the legend even more closely than the previous movie. Here the monk Fahai is given a more prominent role (played by Jet Li, so no surprise there) and to make room the comic relief Taoist priest is dispensed with altogether. Fahai has great spiritual powers (and is the “sorcerer” of the title, though “priest” would be more accurate) and is the abbot of a monastery. Assisted by an acolyte named Neng Ren (Wen Zhang), he travels the area to battle the demons that threaten the people there. Early in the movie we see Fahai battle and defeat an ice harpy with Neng Ren providing the comic relief. Once a demon is defeated, it is trapped in a sort of limbo to contemplate its sins, possibly for eternity. As the two travel they see evidence that a bat demon is attacking people in the local village, and this creature is their next target.

Warning: There will be spoilers. Continue reading