The Company We Keep

In the last several months I’ve heard more than one established pro say something along the lines of “I’m sure glad that I broke in when I did. It’s a lot harder now.”

Whether you accept that premise or not depends mostly on how you define your terms. If you’re working strictly at novel length, that’s one thing. If you consider “breaking in” the process of making your first few decent short fiction sales and going from wannabe to neopro, then the statement is absurd on the face of it. It’s not easy to sell to a top-notch market starting out, and the fact that some people manage doesn’t change that. It wasn’t easy 10-20 years ago and it’s not any easier now, and if it was much if any easier back in the true pulp era I’d be amazed.

If, otoh, you define “breaking in” as establishing yourself and becoming a recognized name in the sf/f field, that’s a different kettle of herring. Over the past twenty years or so that’s gotten quite a bit harder. There are a lot of reasons for that: competition from other media, a fragmented readership, et many ceteras. Whatever the reason(s), I think it’s quite arguable that establishing yourself in the sf/f field is harder now than it’s ever been.

So why do new writers insist on making it harder than it has to be? Continue reading →

A Brief “FYI” on the Lord Yamada Series

I know some of you are familiar with the Lord Yamada series, my stories about a minor aristocrat in Heian Japan who makes his living as a “nobleman’s proxy,” basically a private investigator who handles situations, mostly of a paranormal nature, that his social betters either can’t handle or would be too embarrassed to try. (For anyone who isn’t familiar and wants to know what I’m talking about, The Mansion of Bones in Beneath Ceaseless Skies #19 wouldn’t be a bad place to start. It’s online and free). Now then–I’m bringing this up because of a misunderstanding that cropped up at this week’s writer’s group. Someone referred to Yamada as a samurai. Continue reading →

Ghost Trouble: The Casefiles of Eli Mothersbaugh

Pardon the commercial interruption, but I believe that some of you out there might actually want to know this. After several months delay, I’ve finally assembled the complete (and  I do mean complete) collection of the Eli Mothersbaugh Ghost Hunter series in ebook (Nook and Kindle) edition. This includes all seven of the Eli Mothersbaugh stories previously published plus five stories written especially for this edition. And by “especially written” I mean just that. The intent all along was to include these stories as originals in a collection of the Eli Mothersbaugh series, and that’s what I’m doing. I won’t guarantee that there will never be another new EM story after this, but in my mind the series arc is complete, and right now I can’t see writing any more of them. I consider this the definitive edition. Continue reading →

“Now the Monkey on My Back Has a New Act”

We’ve all heard the old chestnut “Be careful what you wish for, because you might get it.”

Expectations. In my personal opinion, expectations can kill a career as dead as Ordering to the Net, only quicker. It’s perfectly normal that you start selling stories and think “Now what?” Ok, so you’ve sold a story? Have you qualified for Active in SFWA? Ok, that’s three stories, good. The first two weren’t flukes, that’s nice to know. So. Have you sold a collection? Ok, now you’ve sold a collection? Marvelous! Have you sold a novel? Won a Nebula or Hugo? Been nominated for any darn thing? Sold a Movie Option? Done… well, you get the idea. My friend and mentor Parke Godwin once described this as the “Now the Monkey on My Back Has a New Act” syndrome. This is perfectly normal. What’s not normal is when the monkey, so to speak, thinks the show’s over.

We tend to forget that the sole purpose of a goal is to be a target, but once you hit the mark, its job is done. A goal in its pure essence is a direction, not a destination. One you reach a goal you don’t clear a plot of land on the site, build a split-level with a pool in the back yard and move in. That way lies stagnation. If you don’t want to stagnate, you have to look for the next goal or retire. Those are your choices. Pick one. Continue reading →

Writing Exercise #4

We had a little more time on this one (I think there was an operational error on the timer), and I took advantage. The challenge was “What frightens you?” To which my immediate reaction was “Hell, what doesn’t frighten me?” And so it went.

Dr. Louis asked his first question, “Mr. Crenshaw, what are
you afraid of?”

I almost walked out then and there. I didn’t care how  highly recommended the guy was, I thought it was a stupid thing to ask. What was I afraid of? Hell, what wasn’t I afraid of? But I was on the hook for the first session whether I was there or not, so I decided to play along.

“Well, there’s spiders.”

“That’s a common one—“ Dr. Louis began, but I didn’t let
him finish. “And mice. And Cats. And… snakes. And dark holes where snakes might
be hiding. Let’s see…. Wasps. Bees. The entire hymenoptera family, really.”

“Your chart doesn’t mention an allergy.”

“What’s that got to do with anything? Now, where was
I…right. Hymenoptera, and lepidoptera too—that’s butterflies and moths.  Plus cattle prods. Cattle. Herd animals of any kind. Dust. Mold. Germs. Sterile environments. Polyester–”

“Out of curiosity,” Dr. Louis asked, “Why polyester?” Continue reading →