SnowNuts

SnowNuts

I’m learning about snow. In Mississippi, snow was a fleeting acquaintance at most. In all my childhood I can only remember two really significant snows, that is, accumulations great enough to scrape together a half-way decent snowman. One weird winter we had the local equivalent of a blizzard. Nine inches. Us kids had a ball, though I don’t remember the grownups being too keen on it.

So far this January it has snowed more here in NY than it did in the last five years in Mississippi. Yet snow is different here. In MS the snow was damper and tended to stick to itself. Easy to make snowballs and snowmen on the rare occasions when there was enough of it. Here in central NY there’s plenty, only it’s mostly what I think is referred to as “powder.” Very light and fluffy. Doesn’t stick together worth a darn, or at all, really. Good for shoveling. Good, apparently, for skiing, since there are several ski resorts in the area that were really bummed at the mild December. Not enough snow then. Mother Nature’s making up for it now. I am learning how to shovel snow. I can’t say it’s a skill I had ever aspired to, but it’s part of the deal. Fortunately, the snow is light and fluffy. It’s not that hard to move.

Another odd thing: when small animals make tracks, the snow is compressed in the middle and pushed up on the outside. When it partially melts, the pushed up area melts last, leaving these almost perfectly round “snownuts” along the animal’s path. They look like a trail of frosted doughnuts, just left there on the ground. Doubt they would taste as good, though.

The Emperor in Shadow proceeds. I have a long way to go, but I still think I can finish in time. I’m still in the section which I refer to usually as the “churning” section. Plot elements are being created, characters introduced, and the writing itself shows how they all fit together. Eventually. For the moment, it churns. Soon the pace will pick up when, well, I won’t say when I figure it all out, because that’s not quite how it works. Ray Bradbury is alleged to have said, “Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.” That makes sense to me, but as for the actual day to day writing part, I say rather that the story triggers some sort of self-organization principle which is one of the keynotes of life in general. Life wants to happen, and so does story. For a book to live, it has to do something similar. At those times I feel more like a photojournalist than a writer, just trying to record the life as it happens. In this case, it just happens to be a novel.

If it’s not alive, well, there’s nothing to record. Just words. Like empty holes in the snow where maybe a living thing should have been.

 

Yamada Monogatari: The War God’s Son — Audible Update

Break The Demon Gates endpapersI just got the news that Audible.com has made an offer for the third Yamada Book, The War God’s Son, so there will be an audiobook edition of this one as well. Word is they want the fourth one too, only there’s the slight technicality that it isn’t written yet.

I hope they’re able to get Brian Nishii to do the narration again, but that’s something to be determined later. In the meantime the third book actually is written, turned in, and scheduled for release in October of this year from Prime Books.

Capsule Description:

“With the Abe clan and its allies in full rebellion, the Emperor’s greatest military leader, Minamoto Yoshiie, is targeted for assassination by magic. It is up to the newly sober Lord Yamada and his exorcist associate Kenji to keep the young man alive long enough to put down the uprising before the entire country is consumed by war. Yamada knows how to deal with demons, monsters, and angry ghosts, but the greatest threat of all is one final assassin, hidden in a place where no one—especially Lord Yamada—would ever think to look.”

Yamada Monogatari: To Break the Demon Gate

Yamada_BTG_cover-V06b-PrimeOkay, those of you who follow me on Facebook will have seen this already, but that was a shared post from the publisher and wouldn’t display properly here. Now I have my own copy and can show the probably final cover for the US edition of Yamada Monogatari: To Break the Demon Gate. That’s actually the link for pre-orders, and if you follow it you’ll see the original (and temporary) cover, which the publisher hasn’t yet updated on Azon but no doubt will real soon now. I don’t have any updates on the UK edition still (I hope) slated for this month, but the US edition is firm for December as the official date, meaning it’ll probably be ready sometime in November. Regardless, this is the second Lord Yamada book but the first Lord Yamada Novel. I hope to have an announcement on the status of the second Yamada novel before too much longer.

Here’s the blurb for To Break the Demon Gate:

“Yamada no Goji is a minor nobleman of ancient Japan who has lost everything-except a single purpose: keep a promise to the woman he loved. In order to fulfill his vow, all he has to do is fight a horde of demons and monsters, bargain with a few ghosts, outwit the sinister schemers of the emperor’s court, find a way to defeat an assassin who cannot be seen, heard, or touched-and change the course of history. Fortunately, Yamada specializes in achieving the seemingly impossible, so he is sure in some way to succeed . . . if he doesn’t drink himself into oblivion first.”

Letting Go

WRITING 02I’ve written stand-alone books and stories and series books and stories. One advantage I’m finding with the stand-alone books/stories is that it’s easier to move on. Rather like the emotional difference between a brief fling and a long-term relationship. Note that this has nothing to do with either the quality or the emotional impact of a stand-alone book versus a series on the reader. I’m talking more about the length of time one spends in the headspace of a particular character or set of characters, and then one day, poof, you know you’re not going to be going there anymore. That’s the effect on the writer.

Some of you may have read a couple of my Eli Mothersbaugh ghost hunter stories. I wrote the first one, “Wrecks,” back in 1996. I wrote the last one (or rather I finished the last one, since it went through several iterations), “Diva,” in 2006. I’d spent ten years in Eli’s head, and when I finally realized that the story I was revising for the umpteenth time was going to be the last one, it was more than a little depressing. See, I liked Eli, and I liked reading about what he’d been up to, which was why I was writing those stories in the first place. Or to paraphrase The Most Interesting Man in the World (srysly?), “I don’t always write series, but when I do, they are not open-ended.” There’s always an overall story arc, even if I don’t realize what it is from the beginning. I finally realized that “Diva,” had left Eli in a good place, and he wasn’t inclined to budge from it. I haven’t written a new one in five years, so I must have been right.

Knowing where I’ve been, series wise, tells me where I’m going. The Laws of Power series, currently including The Long Look and Black Kath’s Daughter should eventually reach to four books, but that’s it. When I write the last one, Marta’s story will be told. I know I’ll grieve a little when that happens, since I’ve been writing about the character since 1994. The same thing will happen eventually with Lord Yamada. I’ll reach a point when I’ll know I’m done–or that he’s done–and that will be that. And it’s going to hurt a little when that happens. Yes, I know that none of those characters are real, but they were as real as I could make them.

The end has to sting at least a little bit, or I didn’t do my job.

Wait For It…

SleepingBuddhaI love to wait…said no one, ever. And yet it is one of those times. PS Publishing has an artist lined up for the cover of To Break the Demon Gate, but even preliminary sketches take time and I won’t have any idea what the cover is going to look like until much later in the process. I’ve got contracts and royalty payments hanging fire, but again nothing is ready now and won’t be for weeks, likely. I’ll send out the manuscript for The War God’s Son probably later this month, and there’s another long wait in the making.

Everyone has to “wait for it” at one time or another, in cases where it can’t be avoided, like the DMV or the dentist’s office. Relatively brief times, but they seem longer because there’s nothing else to do but anticipate the joy to come. But for what I call the real waiting, on matters that may take weeks, or months, even years? I sometimes think writers do more than their share. We’re always waiting, if we allow it.

Whaddya mean, “if we allow it”? It isn’t up to us! Oh, but it is. The key to bearing up to all the waiting, of course, is that you’re not waiting. Or to be more accurate, you’re not just waiting. There are things to do, stories to write, books to read, guitars to play, tires to patch and gutters to muck out. You don’t keep yourself busy as a distraction, you keep yourself busy because you’re alive and you’ve got better things to do than wait. Then one day a check and/or contract arrives in the mail, an email arrives with a decision made for good or ill, or maybe a preliminary/final cover jpeg arrives, and you go “What? Already?”

Or you can simply “wait for it” and focus on what isn’t happening and stew away your stomach lining and your last good nerve all the while, and waste one hell of a lot of precious, non-retrievable time in the process. That’s always an option. Not a good idea, but an option.

No one likes to wait. The trick, if there is one, is to simply refuse to do it.