What Follows

Final-CoverYes, I’m talking about The Book again. Sorry about that, but that’s what’s going on right now, so it remains the subject of the moment. Late last week I learned that the distributor was out of copies. I had to take a moment to digest that. Savor, actually. I mean, think about it–the outfit in charge of getting the book into sales venues was out of stock. Which meant that the book  was being ordered. Which meant that there was demand. Which meant…well, let’s not get too crazy. The point is that the distributor was not sitting on piles of stock that no one wanted. In fact, Prime had to send out the rest of the copies they had on hand so that the distributor could handle their orders. So now the publisher is out of stock. All remaining copies are either 1) at the distributors or 2) at the bookstore(s). This is, what we in the business like to call, “a good thing.”

So what does this mean? Hard to say right at the moment. Distribution aside, the numbers look good. Actual sales are at a brisk rate, and at the very least odds are good that the publisher won’t lose money on the book. They might even make a buck or two. This is important for obvious reasons. A publisher might love your work, your editor might even believe you’re a genius, but if your books don’t sell, none of that matters much. Most publishers, especially smaller presses, can’t afford to publish books that no one wants. When a book does well, the publisher is more inclined to want another one from you. Simple as that.

Here’s the thing—if you’re a writer, you want to write. Which is fine, because who’s stopping you? If you don’t have time, you’ll reset your priorities until you do have time. If the work isn’t going so well you hang in there until your creativity decides to wake up and join the party. Even a fallow period—they happen—is understood to be temporary. Problem is, we’re greedy. We don’t just want to write—we want to be read, too. We, narcissists that we are, want to think that what we write matters, even a little. Sure, you can self-publish, and there are even times when that makes sense, but without a readership in place it’s a long slog to get one, and the readership is what you really want. We have more options these days, sure and yippee, but publishing through a competent traditional publisher, large or small, is still the best way to find those readers, or rather, let them find you. Otherwise everything you write is just you, talking to yourself. I think there are psychiatric terms for that, none of them very flattering.

So we have to worry about the business side of things. Self-promote as best we can, do what we can do and still face ourselves in the mirror come morning. As others have pointed out time and again, writing is both an art and a business. Art comes first. After that, it’s business. We forget the second part at our peril.

Scenes From a Marriage #7 – Plus News.

 Scene: Sterling the Cat is sleeping curled up on the sofa table. Carol is pushing on his belly with her fingers, saying “Knead, knead, purr, purr” over and over.  Sterling the Cat takes no notice except to yawn and stretch, apparently enjoying what to him are scritches.

Me: What are you doing?
She: I’m giving Sterling a taste of his own medicine.
Me: Meaning?
She: He keeps kneading me like a loaf of dough and purring in my ear at 4AM!
Me: So you’re interrupting his sleep as payback.
She: Yep.
Me: That’s a cat.
She: Yes. So?
Me: You do realize that cats are immune to irony, don’t you?
She: Oh….right. Then I’ll pick him up and hug him!
Me: Good choice.
Sterling the Cat: (yawns)

 
Prime-Notecard-AdThere was a little more going on besides the metaphysical quirks of the house felines. For one thing, I’ve just confirmed that the Yamada novel, To Break the Demon Gate, has been delayed until later this year, probably November. Also, there was the spiffy Prime Books notecard that shipped with the February Locus, including Yamada Monogatari: Demon Hunter along with Future Games and Weird Detectives. Since I’m in 2 out of those 3 books, I rather liked it. Also, LightSpeed Magazine will be reprinting “The Man Who Carved Skulls” in a future issue. I’ll give a date as soon as I have one, but from the writer’s perspective, you gotta love reprints—the work’s already done and you get paid again anyway.

Speaking of work, I just finished the first story of the new year, working title is “The Nothing Boat.”  I’ll need to set it aside to cool enough before I look at it again, which is fine because I have another story to work on. And a novel to write. I’m going to be busy this year, I can tell.

 

Weird Detectives: Recent Investigations

Paula Guran at Prime Books just released the contents of her Weird Detectives anthology. I’ve got a story in this one. Note that this is an alphabetic listing, not necessarily the final order of the stories. You can see a more complete description at the Prime Books web site.

“Cryptic Coloration” by Elizabeth Bear
“The Key” by Ilsa J. Blick
“Mortal Bait” Richard Bowes
“Star of David” by Patricia Briggs
“Love Hurts” by Jim Butcher
“Swing Shift” by Dana Cameron
“The Necromancer’s Apprentice” by Lillian Stewart Carl
“Sherlock Holmes and the Diving Bell” by Simon Clark
“The Adakian Eagle” by Bradley Denton
“Hecate’s Golden Eye” by P.N. Elrod
“The Case of Death and Honey” by Neil Gaiman
“The Nightside, Needless to Say” by Simon R. Greene
“Deal Breaker” by Justin Gustainis
“Death by Dahlia” by Charlaine Harris
“See Me” by Tanya Huff
“Signatures of the Dead” by Faith Hunter
“The Maltese Unicorn” by Caitlín R. Kiernan
“The Case of the Stalking Shadow” by Joe R. Lansdale
“Like a Part of the Family” by Jonathan Maberry
“The Beast of Glamis” by William Meikle
“Fox Tails” by Richard Parks
“Imposters” by Sarah Monette
“Defining Shadows” by Carrie Vaughn

Continue reading

Yamada Monogatari: Demon Hunter

Now that everything’s more or less settled, I’m officially announcing—very loudly, in fact—that my fourth print collection will be a compilation of the Lord Yamada series, Yamada Monogatari: Demon Hunter, and is scheduled to be published by Prime Books in February. That’s not too far away. I’ll try to put up a cover image once that’s been sorted, but in the meantime here’s a list of the planned contents along with a reference to the story’s original appearance, if any:

 “Fox Tails”                                Realms of Fantasy, June © 2005

“Moon Viewing at Shijo Bridge” Realms of Fantasy, April © 2006

“A Touch of Hell”                     Realms of Fantasy, April © 2007

“Hot Water”                              Realms of Fantasy, December © 2007

“The River of Three Crossings”          Realms of Fantasy, February © 2009

“The Bride Doll”                       © 2013 Richard Parks. First Publication

“The Mansion of Bones”          Beneath Ceaseless Skies #19, © 2009

“Sanji’s Demon”                       Beneath Ceaseless Skies #38-39, © 2010

“Lady of the Ghost Willow”      Beneath Ceaseless Skies #53, © 2010

“The Ghost of Shinoda Forest” Beneath Ceaseless Skies #63, © 2011

This material covers the first story arc of Yamada’s career. I’m not done with him yet, but there is a progression and resolution to these stories. What isn’t here will be in the Yamada novel, To Break the Demon Gate, from PS Publishing, also scheduled for February. Next winter promises to be a fairly busy time.

Afterwords to “Worshipping Small Gods”

These are the afterwords/author’s notes I wrote for the stories in my second collection, Worshipping Small Gods. They didn’t appear in the actual book for two reasons. 1) There wasn’t room and 2) They hadn’t been written yet. I think the second reason is probably the one that matters. Some readers are interested in this kind of thing, some aren’t. If you fall in the “aren’t” category, you can bail now. Fair warning. Continue reading