Yamada Monogatari: Demon Hunter

Now that everything’s more or less settled, I’m officially announcing—very loudly, in fact—that my fourth print collection will be a compilation of the Lord Yamada series, Yamada Monogatari: Demon Hunter, and is scheduled to be published by Prime Books in February. That’s not too far away. I’ll try to put up a cover image once that’s been sorted, but in the meantime here’s a list of the planned contents along with a reference to the story’s original appearance, if any:

 “Fox Tails”                                Realms of Fantasy, June © 2005

“Moon Viewing at Shijo Bridge” Realms of Fantasy, April © 2006

“A Touch of Hell”                     Realms of Fantasy, April © 2007

“Hot Water”                              Realms of Fantasy, December © 2007

“The River of Three Crossings”          Realms of Fantasy, February © 2009

“The Bride Doll”                       © 2013 Richard Parks. First Publication

“The Mansion of Bones”          Beneath Ceaseless Skies #19, © 2009

“Sanji’s Demon”                       Beneath Ceaseless Skies #38-39, © 2010

“Lady of the Ghost Willow”      Beneath Ceaseless Skies #53, © 2010

“The Ghost of Shinoda Forest” Beneath Ceaseless Skies #63, © 2011

This material covers the first story arc of Yamada’s career. I’m not done with him yet, but there is a progression and resolution to these stories. What isn’t here will be in the Yamada novel, To Break the Demon Gate, from PS Publishing, also scheduled for February. Next winter promises to be a fairly busy time.

Don’t Fear the Kitten

This came up in another writer’s blog some time ago, was discussed roundly there, and keeps coming up so I’m going to talk about it here, too. The question was about whether to add a certain element — in this case a kitten, but it could as easily been something else equally dangerous: a certain character, explicit sex, non-standard gender roles — knowing even as you do so that it will make the story harder to sell. To emphasize the point, an editor pointed out how hard it indeed would be to sell any such story to him. Not impossible, but very very hard. My position is: if the kitten is required then put the kitten in and damn the consequences.

I can be dogmatic at times (Gee, ya think?), but I know there are times when compromise is required. We don’t live anywhere near Perfect, as the drug store ads used to remind us constantly. And yet…there’s a limit. There has to be. Trends fade. Today’s hot topic is tomorrow’s fishwrap. Prejudices morph. “Marketability” is a will-o-wisp if ever there was one, and trying to second-guess and anticipate it leads to bog-downs and hackdom. Continue reading

In the Palace of the Jade Lion

When Realms of Fantasy closed it had two of my stories in inventory, and now that the contracts are signed I can mention that the first of them, “In the Palace of the Jade Lion,” has sold to Beneath Ceaseless Skies. This is a 12,000 word ghost story set in ancient China during the Warring States period, and the first non-Yamada story that I’ve placed there.

I’m rather proud of this one. Which I suppose is the kind of thing a writer would normally say, but it’s true. I think it’s a fun story and I’m rather pleased with the way it turned out. Naturally I’m happy that it found a good home.

The Sky is Falling – Not

Or: “Rumors of the short story’s death are greatly exaggerated.” 

It’s obvious to even the casual observer that the print sf/f magazines are holding on by the skin of their metaphorical teeth, but as I’ve pointed out before, that’s been true for a long time. When I was starting out as a wannabee, the Ted White Fantastic Stories was my holy grail, and it probably never had a circulation greater than 20,000. It’s fair to say that the situation is not getting any better. Are the current print magazines tenable long term? Probably not, and I’m not happy about that, but people who should know better constantly confuse the decline of the traditional magazines with the death of short science fiction and fantasy. Which is equating a particular delivery system with the product, to use the cold capitalist designation. Or to put it another way, a lot like saying the death of the stagecoach meant people could no longer travel.

Magazine circulations are declining in general. This is not confined to the fiction magazines. This is across the board. There are a lot of reasons for this: time, competition, distribution…. I’m sure you can think of your own. If you love a magazine that still appears in physical paper form, subscribe. Heck, if there’s an online magazine that deserves support, do your bit there, too; it’s all good. Regardless, the short story form will be around. Maybe book publishers will sponsor them to draw attention to their book lines, as Prime did once and Tor is sort of doing. Maybe they’ll go to NPR fundraising models like Strange Horizons. The point is that venues will remain, and people will write short stories to fill them. For that matter, people will write stories solely to collect them in books, and self-publish if they have to. There may or may not be any money in it, but other than Howard Waldrop, almost no one has made any kind of living off short fiction for half a century or better. Hasn’t slowed things down in the least.

The reason is simple. People tell stories. That’s what we do. And until someone invents a true full-immersion VR (don’t hold your breath) there’s simply no other medium that can do what narrative fiction does: puts you in another time and place. Makes you see through another’s eyes. Lets you see through another’s eyes. Lets you feel, taste, smell the world of the story, experience it in every sense of the word, not simply observe. Reminds you of things you didn’t realize you knew. Tells you things you never knew. We’re a species of storytellers, and story listeners. That’s not going to change. The short story form itself will be around simply because not every story is an epic, but every good story is important in its own way. They’re part of what we are.

Does that sound a little self-satisfied? Arrogant? So be it. I think it’s true. While I may now mourn Realms of Fantasy just as I still mourn Fantastic, Galaxy, SF Age, et too many ceteras, I know the short story will go on. I’m not the least bit worried.

A little more problematic is the notion that only short story writers actually read short stories these days, that there are no actual readers any more. Kinda like poetry. Which to me rings false immediately because I read poetry. Not in any organized or systematic way, but I do it. And I am not now and never will be a poet. Yes, of course short story writers read short stories. It’s part of the job to study a form you’re trying to master, and the writer who did not start out as a reader is a rare bird indeed. Yet even a cursory examination of the premise that there are no readers proves it simply isn’t true. Even a quick informal poll in an online f/sf discussion board showed that writers were at most about %25 of the readership. Granted, that was a self-selected sample, but telling for all that. The readership is and will remain fragmented, simply because there are so many competing mediums, but that doesn’t mean it’s not there. It many not be enough to sustain short story writers commercially, but this is nothing new.

As someone who loves the short story form I suppose I should get all worked up about its so-called death. I would if I believed it for even a moment, but it just ain’t so. All the rest of it, as the zen Master Yogi Berra once said, is just déjà vu all over again.

The Final Tally

I got an email this morning from the owners of Realms of Fantasy officially releasing the last two stories of mine that had been contracted for the magazine. If those two had been published I’d have had 27 stories there, total. As it was, the final count was 25. it’s possilble that someone may have published more stories there than I did, but off the top of my head I can’t think who it might be. As Theodora Goss pointed out elsewhere, with the loss of ROF and the combining of Fantasy Magazine and LightSpeed, there are no more “generalist” fantasy-only fiction magazines, and that’s a shame. There’s Beneath Ceaseless Skies and Black Gate but both are a bit more specialized in adventure and S&S-type fantasy. Realms of Fantasy under Shawna McCarthy was far more ecumenical, and ran the gamut, which is something I like to do in my work as well. We were a good fit.

For the record, here’s the list of every story I published in Realms of Fantasy over 16 years:

  1. “The Last Waltz,” February 1995
  2. “The Right Sort of Flea,” April 1997
  3. “Lord Madoc and the Red Knight,” December 1997
  4. “Take a Long Step,” April 1999
  5. “How Konti Scrounged the World,” February 2000
  6. “The Fourth Law of Power,” August 2000
  7. “Judgment Day,” October 2000
  8. “The Trickster’s Wife,” February 2001
  9. “The First Law of Power,” June 2001
  10. “A Respectful Silence,” December 2001
  11. “Kallisti,” April 2002
  12. “Worshipping Small Gods,” August 2003
  13. “Yamabushi,” December 2003
  14. “The Right God,” August 2004
  15. “Death, the Devil, and the Lady in White,” April 2005
  16. “Fox Tails,” June 2005 (The first Lord Yamada story)
  17. “The Penultimate Riddle,” August 2005
  18. “Empty Places,” December 2005
  19. “Moon Viewing at Shiji Bridge,” April 2006
  20. “A Touch of Hell,” April 2007
  21. “Hot Water,” December 2007
  22. “On the Banks of the River of Heaven,” April 2008
  23. “The River of Three Crossings,” February 2009
  24. “A Road Once Traveled,” December 2009
  25. “The Swan Troika,” February 2011

Not a bad list. I only wish it could have been longer.