Heroes: Andre Norton

Perilous-Dreams-AndreNortonWhere the heck was I? Oh, right. Heroes.

Andre Norton. For those too young or otherwise disadvantaged to know, Andre Norton was a prolific science fiction & fantasy writer who started publishing in the 1930s and continued to do so into the next century (at the moment, this one). I’m not going to even attempt to summarize her career, since this is about one of my writing heroes, and therefore this is Andre Norton in relation to me. If you’re curious, and you should be, a decent place to start is her entry in the Encyclopedia of Science Fiction.

Now then, here was the situation—I grew up in a very small southern town, and I was a reader. This was a problem for many reasons, not least of which being there was no bookstore within twenty miles and little money for buying books in the first place, and no library. Well, okay, the local school I attended had a library…only, for the first few years of its existence, students weren’t allowed to use it. And no, you don’t need to tell me how &%%# crazy that was. I know. In my one glorious term as a member of the Student Council, I complained about this in our very first meeting. The principal thanked us, and never called another meeting. He learned his lesson and I learned mine. The problem remained.

My only salvation was the county library eight miles away. Every week they sent out a bookmobile to the less fortunate towns in the county, mine included, and there…

Robert Heinlein

Isaac Asimov

Andre Norton

Ray Bradbury

Those were the top four authors I first discovered in the Newton County Bookmobile, so for better or worse, that mobile library is part of the reason I am the way I am. That’s a debate for another day. Yet as much as I enjoyed Heinlein and Asimov and especially Ray Bradbury, it was Andre Norton’s work that resonated the most with me at that time and place, at least partially because there was so much more of it.

I’m not really sure when I discovered that Andre Norton was born Alice Mary Norton. It’s not as if I was plugged into sf fandom or even knew it existed, but it was well before I graduated High School. I don’t even remember for certain which of her many, many books I read first. I believe it was either Galactic Derelict or The Time Traders. Not that it particularly matters. I got my hands on every single one of her books I possibly could, but to this day I have read barely a fraction of her work. So I’d like to talk about one in particular—Perilous Dreams.

This was from a time I was in college and buying my own books, when DAW Books was the place to be for the type of work I was looking for. John Brunner. Tanith Lee. Thomas Burnett Swann, for heaven’s sake. Those yellow spines and George Barr illustrations were practically a trademark. Perilous Dreams was a book about a woman who could move between worlds through dream. It wasn’t so much a novel as a series of linked novellas, given a handwave of genetic dispositions and technology, but basically pure fantasy and I read it that way.

This was a key book, and what I mean by that is this book was one of the ones that opened the door between the reader I was and the writer I was going to be. It resonated, as did The Gods Abide, Lord of the Rings and The Earthsea Trilogy a little later. It was one of the books that made me think about being a writer. Why? If I could explain that I’d be a lot smarter and wiser than I know I am. It wasn’t a perfect book by any means. Perhaps overly romantic, a bit disjointed. Don’t care and didn’t matter. Anyone who’d read both would know that my own A Warrior of Dreams, while certainly different, is me paying tribute to Perilous Dreams. You assimilate your influences and move on, sure, but it serves one best to understand what they are and who they are.

Andre Norton is one of mine.

Brief Update: Yesterday I passed the 60,000 word mark in Yamada Monogatari: The Emperor in Shadow, so I’m about 2/3 done, if I’m right about what’s left to tell, and I think I am.

Swords, Demons, and More Princesses Than You Can Shake a Haruegushi At

YamadaEmperor-600Watching a writer work must be the most boring activity in the known universe. At least with watching paint dry you can watch the slight color change that usually happens during the process. A writer can be hard, nay, even furiously at work and still moving less than the average graveyard angel. Then comes the big burst of activity—if you’re both lucky—typing. Or maybe scribbling with pen and paper, if you’re into that old school method. Then…nothing again. For greater or lesser slices of eternity. Most writing doesn’t happen on the page. It happens somewhere inside and in the kinetic connection between mind and computer keys. When it happens, which isn’t always.

Still getting the words down, which is what it’s all about. Making my quota most days, sometimes a bit more. Hit something of a milestone this morning when I crossed the 50,000 word threshold. As thresholds go it’s pretty meaningless, but to me it signals that the book is over half way done. I don’t write doorstops, I know I’ve mentioned this before. I expect to wrap it up at about 90,000 words. If I don’t, I’ll be as surprised as anyone. I know what’s already happened, what’s about to happen, and a penultimate scene that breaks it down, wraps it up and kicks the entire thing to the curb. In a good way. Some old friends return. Some not-so-friends, and All is Revealed. Well, most of it.

I am so looking forward to that. I think Yamada is too. And by the way, this is a three-princess book. First time I think there’s been more than two. Nope, three. And one especially.

 

Zen and the Art of Beating Your Head Against a Wall: Who Am I This Week?

YamadaEmperor-600Most of this post will have nothing to do with the image above. It’s the likely final cover for the next Yamada book, due out in September. I saw a working image much sooner, but since the publisher (Prime Books) has officially put it up on their website, I’m showing it here for the first time.  I am working furiously to make sure the book happens on schedule, but taking a few minutes to surface here because I feel bad about missing my post yesterday. I try to keep the posts themselves on schedule too, but you’re always doing battle with the day, and sometimes you don’t win. Yesterday I made my word quota on the book but the rest of the day was spent on an errand to New Hartford and a new air compressor for the next phase of trim work in the house. Soon: back to painting. The fun never stops on the quirky castle on the hill.

All that aside, a day or two ago I sold a reprint story to a new anthology(details TBA). Writers love reprints for a couple of obvious reasons. 1) It’s money for work we’ve already done and 2) Every appearance helps raise the profile and name recognition just a tad, non-trivial if you’re trying to build a readership, and what writer isn’t? Yet again, the post isn’t about that as such, nice though it is, but an event it triggered.

I have to provide a bio.

Yep, I’m here to fuss about bios again. Probably the one thing none of us should complain about is having to provide brief author biographies for whoever is publishing you. When I was just starting out I’d be thrilled at the idea, and struggle to keep the thing within the 100-200 words you’re generally allowed. Now if I can manage more than a couple of sentences it’s only a victory of the will. I went through a phase of just making stuff up, because that’s what I do anyway, but bios are supposed to be non-fiction, at least in theory. I finally judged it inappropriate to claim I had a side career teaching T’ai-Chi to polar bears, though stressed as the poor things are now, they can probably use it. So I generally end up writing something like this:

“Richard Parks’ work has appeared in Asimov’s SF, Realms of Fantasy, Beneath Ceaseless Skies, Lady Churchill’s Rosebud Wristlet, and several “Year’s Best” anthologies and has been nominated for both the World Fantasy Award and the Mythopoeic Award for Adult Literature. The fourth book in the Yamada Monogatari series, The Emperor in Shadow, is due out from Prime Books in September 2016. He blogs at “Den of Ego and Iniquity Annex #3”, also known as: www.richard-parks.com

Seriously, can you get any more boring than that? Possibly, but you’d really have to work at it. And they’re all variations on this one. Believe me, I take comfort in the knowledge that a lot of readers don’t even bother with them, and why should they? It’s the story that counts. The paradox is that I hope publishers keep asking me for them for a long, long time to come.

Spring? Almost? Really?

IMG_0486

My guitars are up and my rug is down. Other than that, most of the last few weeks have gone by in a blur. Still haven’t been able to do anything about the ugly curtains in the library, mostly because they’re currently blocked by a bookcase which I can’t move until we know where it’s going, and room is cleared in that space for the going thereof. Wish I could keep it in here, but there’s no room. I’m planning a couple of low profile bookcases but otherwise, I have to work with what I have. Still too much stuff for the space. Can’t make more space, so the solution is painful, but obvious.

Part of the reason for the blur is that most of the mornings have been turned over to the book, which doesn’t leave a lot of energy in the afternoon for getting the house where we want it. Still a ton of stuff to do. On the plus side, we seem to have survived our first New York winter. I’m told this was a rather mild one (coldest night was a mere -19 F). Fine with us. We were hoping for a training winter, so I could develop my snow shoveling and salt spreading chops. Very different from the south. In Mississippi we were losing the concept of seasons. It was either Summer-like or Winter-ish, and Winter-ish was losing ground steadily. A lot of places don’t even have seasons anymore, at least not like they once did. Up here in Central NY, that’s not the case. At least for now.

Enough with the boring domestic details. I have a book to write, and that’s taking all the brainpower I have left. So in lieu of anything actually inciteful or interesting, snippet time:

 

“Yamada-sama, I was instructed to give this to you personally,” Hiroshi said.

He held out both hands palm up, and resting there was a small sheet of washi neatly folded into the form sometimes referred to as a “lover’s knot,” since it was nearly impossible to re-fold properly once opened, and so had the virtue of making it extremely difficult for anyone else to read the message without the intended recipient knowing that the communication had been compromised. I took the paper and unfolded it carefully to read:

“Autumn wind rushes past
An empty garden where once
The peony bloomed.”

After the poem, there was a simple message: “I would speak with you in private.” I dismissed Hiroshi then showed the paper to Kenji, who frowned.

“It seems you will be allowed an audience with the High Priestess of Ise,” he said.

“Allowed? It sounded rather more like a command.”

“It also sounded as if we—well, you—were expected. That poem….”

I nodded. “Yes. It’s a reference to the death of Princess Teiko. “Peony” was her nickname at court. She held it from at least the age of seven. Not just anyone would know that, especially now, but Princess Tagako is one who would. Without mentioning either of our names, it was clear the message was for me.”

My time at court had been so long ago that I sometimes forgot the way the mind of someone raised in the emperor’s circle tended to work. The message would have seemed innocuous enough to anyone else who discovered it, yet to the intended recipient—myself, in this case—there was far more to be read. Princess Tagako’s note reminded me of Teiko in more ways than simply the poem.

Kenji frowned. “Why would she bring up Teiko? That seems rather indelicate.”

It was more than indelicate. It was deliberate, implied far more than it said, and was aimed precisely at me.

“Indelicacy with a purpose, I think, though what that purpose is, I cannot fathom. I must go speak to the saiō.”

“You must also finish the tanka.”

I winced, but Kenji was right. The form of the poem required an answer, or rather, a shimo-no-ku, a lower phrase, which must also be in the proper form. Princess Teiko had always been somewhat amused at my attempts at poetry, but this occasion called for me to try. I sent for a portable writing table and quickly prepared the ink. First I copied Princess Tagako’s poem as best I could and, after many hesitations and false starts, wrote down this:

“Autumn yields to winter’s cloak,
In Spring, flowers bloom again.”

Kenji looked at what I had done. “Lord Yamada, for you that almost sounded hopeful.”

I sighed. “Yes. If I had more time…well, it still wouldn’t be any better.”

 

 

Almost Normal, For Outlying Values of Normal

New Desk

New Desk

After over four months working off of a folding card table, I finally have a new desk. Carol found it online, a discontinued model for a ridiculously low price, and I only had to argue with the instructions once while I was putting it together. While it’s not my normal style–I have a style? Sort of. I lean more toward Mission and Arts & Crafts–I’m frankly not that picky when push comes to pen. Give me a good working surface with a bit of storage and I’m happy. Plus I managed almost 2000 words on my first writing session on the new equipment. I score that both a good omen and a solid win. Just don’t expect the desk to continue looking this neat. When it comes to my work space and library, I don’t do neat.

Now all I have to do is get the rest of the boxes in my new library sorted, which is going to lead to more painful decisions, but you can’t fight physics. I know the shelf space I want doesn’t fit the shelf space I have. More books will have to go into the attic. Granted, these are mostly books I want to keep even though I know I won’t be reading them again anytime soon. I just have to decide which ones those are. I’ve already had to pack up most of my brag shelf, which stroked my ego a bit because there were so many, but stung it a bit in that I just can’t keep them all out and visible. But then, I was the only one looking at them and I already knew what they looked like. Priorities.

I can see most of my floor now. Once the remaining boxes are dealt with and the guitars on their wall hangers, I can put down a rug. Nothing says “you’re home” quite like your own area rug. That pretty much declares “space of your own.” Little things, but they do matter.

As for the book, it’s coming along, and for those who care, here’s a heads-up.  Yamada Monogatari: The Emperor in Shadow, is going to be a much more political book–Heian politics, I hasten to point out–than The War God’s Son. I sort of knew that before I even started writing it, but my previous writing session rather emphasized the fact. Just saying.