On the other hand, or foot, or whatever—there’s more than one kind of reader. Most true readers start as the voracious sort, and I certainly did. Once I learned that those black ink spots meant something, there was no stopping me. Storybooks, philosophy, cereal boxes, whatever. Put it in front of me and I’d read it. I wouldn’t always understand it, mind, but at the time this hardly mattered.
That’s fairly common among readers. Later, after that initial insane rush, we start to specialize…or drift, depending on your point of view. We start to recognize that certain forms “speak” to us more. It may be a phase, it may be lifelong. I started with books and later moved to an intense affair with comics when I had a bit more discretionary income and could, you know, acquire things that weren’t already in the family library. I came into that about the time Jack Kirby moved to DC and started the New Gods series. But all good and bad things come to an end, and if you’re lucky, new good things appear (and bad, whether you’re lucky or not) and by college I was back to books. LOTR and The Earthsea (at the time) Trilogy. Fritz Leiber, Clark Ashton Smith and those echoes of the pulp era. HPL, REH.
And then…well, my true bent manifested. Turns out I am a butterfly. I go to whatever catches my attention. I am not focused. Some readers make it a point to, say, read the Romantics and ignore everything else until they’re done, then move on. I can’t do that. I go back, I go forward. I read collections and novels by current writers. I go back to things I’ve missed. Bear in mind, this is for pleasure. There’s also writerly research, which is another subject entirely. It can be and often is pleasurable, but that’s not the reason you go there. You need to know about something and try to find out what you don’t know. You go where you think that information is.
Just another way of saying I am haphazard in the extreme. For instance, I’ve managed to read ULYSSES, but not FINNEGAN’S WAKE. I’ve read Eddison’s THE WORM OUROBOROS but not Morris’ THE WELL AT WORLD’S END. You get the idea.
So the confession part. I, a fantasist, have never read George Macdonald. At all. This is something I feel a sharp need to address. So I’ve acquired copies of THE GOLDEN KEY and PHANTASTES.
Which, at the very minimum, will tell me what, if anything I’ve missed. Other than, you know, almost everything.