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About ogresan

Richard Parks' stories have have appeared in Asimov's SF, Realms of Fantasy, Fantasy Magazine, Weird Tales, and numerous anthologies, including several Year's Bests. His first story collection, THE OGRE'S WIFE, was a finalist for the World Fantasy Award. He is the author of the Yamada Monogatari series from Prime Books.

Don’t Let the Ducks Win

I figured out not too long ago that something I very much wanted to happen, probably wasn’t going to happen. I am not, however, here to whine and feel sorry for myself. I’ll do both those things, mind you, just not here.

Rather, the latest crash and burn brings to mind the scene from A Princess Bride where Inigo Montoya is dueling with Wesley. Inigo realizes he’s fighting someone better than he is and asks, “Who are you? I must know.” To which Wesley replied, more or less, “Learn to live with disappointment.” Continue reading

So Who Wants to Know?

The topic came up elsewhere and got me thinking of the infamous Author Bio-Blurb. You see it in books, sure, but those of us who write short stories as well, or even primarily, have to deal with it too and a lot more often. I know. It’s really a sort of “high-class worry” to people who haven’t sold at all or barely. “Writing author blurbs is hard? My heart frickin’ bleeds for your anguish.” I’ll grant you, the first few are kinda fun. Then you’re selling maybe five or six stories or more every year, year after year, and it’s become a chore. 

“Again, my heart frickin’ bleeds—“ Continue reading

Muse and Writer Dialogues #7

Epi Les Paul Special IIFade In: It’s the library. Same old furnishings, same old computer desk and chair. Only the chair has been modified to remove the arm rests. WRITER is sitting in chair, and he is not writing. Enter the MUSE, doing a passable imitation of Pallas Athena. She even has the spear, shield, and helmet. The spear is pointed with alarming accuracy at the middle of Writer’s back.

MUSE: Mind telling me what you’re doing?

(A twang reverberates through the library. If one was feeling generous, one might call it a C major chord. But only if.)

WRITER: Practicing.

MUSE: What do you mean, practicing? That’s a guitar!

WRITER: Well spotted.

MUSE: We’ll talk about your use of idiom later, but it’s obvious you’ve been watching too much Harry Potter lately.

WRITER: You’re one to talk. Who got me started using the term “barking mad” for people who are, well, barking mad?

Continue reading

Review – The Line Between by Peter S. Beagle

The Line Between by Peter S. Beagle, Tachyon Publications, 2006

One pattern I’ve noticed in the writers I tend to come back to again and again—their “voices” tend to be consistent but their subject matter tends to vary. Sure, writers are people—most of them—and they have interests like anyone else, and those motifs tend to repeat. But with the really good writers, they’re going to repeat in ways that make you forget or even never realize that this is what they’re doing. And the subject matter, at least in broad strokes, is going to range more from A-Z than A-B. You’ll find that range evident in The Line Between.

Continue reading

Embracing Your Inner Butcher

Earlier this morning I killed a couple of paragraphs. Perfectly innocent little things, well written, even revealed a smidge of character in them. Not enough. They weren’t pulling their weight, the little deadbeats, and now they’re gone. In the next session, whenever that is, I have already planned which section of the story I mean to attack. There will be more carnage, more innocent words spilled. It will not, however, be murder. It will be self-defense.

Long, hectoring tirade follows. Proceed at your own risk. Continue reading