From Kudzu to Shizu

This is an account of a trip to Memphis my wife and I made several years ago. It’s relevant for the simple reason that it was my first real introduction to the artifacts and history of ancient China, and at least some of the interest I’ve developed over the years for Asian themes can be traced directly to it. Not to mention stories like “Golden Bell, Seven, and the Marquis of Yi,” (Black Gate, Nov. 2000) “Palace of the Jade Lion” (coming up in Beneath Ceaseless Skies next month) and my Mythopoeic Award finalist novella, The Heavenly Fox. Sometimes research is an Adventure. Continue reading

Paging Mr. Bradbury

Fractures on Mt. Sharp

So it’s a little late, but I wonder if he got to see this before he left us. On the left is a picture from the slopes of Mt. Sharp, on the planet Mars. It is described as a strange geologic formation created by internal stresses and fracturing in the Martian surface. And no doubt that’s true, and interesting on the face of it. The gradual fading of the pattern on the perimiter suggests some natural process at work. Yet the romantic in me just cannot stop comparing this photograph to aerial photographs of archelogoical sites on Earth, especially the Southwest and Middle East. And I see walls and alleyways and rooms and houses packed close together for a people who had to cluster together around the site of scarce resources on a dying planet. Part of me, even though pretty much all of me knows better, would like to see this as the remains of a Martian city. I think I can lay at least some of this attitude at Ray Bradbury’s feet. I mean, he wasn’t the only one with such notions. Edgar Rice Burroughs was writing about Martian princesses and four-armed tharks before Ray Bradbury was born. But you obviously won’t find Dejah Thoris hanging out in a dump like that. This is The Martian Chronicles territory.

In a little over a month, assuming all goes well, NASA will be dropping a new robotic rover, the Mars Science Laboratory (MSL) into the vicinity, a rover with a pretty boring name but much more muscle and payload than Spirit and Opportunity carried. (See full article at Wired Magazine). I’m sure the MSL will get to the bottom of this, since Mt. Sharp is apparently on its agenda. And we’ll discover something marvelous, like a really strange set of perfectly natural formations due to internal stresses below the Martian surface. Perhaps even some insight into how geologic processes on Mars compare to similar ones on Earth. What’s the same, but also perhaps what is totally unexpected, which is the real prize and the sort of thing that usually precedes breakthroughs in our understanding of how the universe works. And I will think that is cool, too.

“Too?” Yeah, I know. But despite the slings and arrows and yadda yadda we all have to go through, I haven’t quite managed to lose that old-fashioned sense of wonder. Granted, it takes a lot these days to pump up the spark, but it hasn’t gone out completely. Still there, still smoldering. I think Ray Bradbury may have something to do with that.

And I’m still holding out for a city.

Afterwords to “Worshipping Small Gods”

These are the afterwords/author’s notes I wrote for the stories in my second collection, Worshipping Small Gods. They didn’t appear in the actual book for two reasons. 1) There wasn’t room and 2) They hadn’t been written yet. I think the second reason is probably the one that matters. Some readers are interested in this kind of thing, some aren’t. If you fall in the “aren’t” category, you can bail now. Fair warning. Continue reading

Review – The Devil Wives of Li Fong by E. Hoffman Price

The Devil Wives of Li Fong by E. Hoffman Price, Del Rey(Ballantine Books), 1979.

 E. Hoffman Price (1898-1988) was an old-school pulp fiction writer (“fictioneer” was his term for it) who, long after the pulp era ended, renewed his career by becoming a novelist in the emerging sf/fantasy field of the 1970’s and remained active right up until his death. He had a great and abiding interest in Asian mythology and religion, and both sides of that coin are evident in The Devil Wives of Li Fong.

The premise is that two female snake-spirits take on mortal form in a quest to become fully human. Why they do this and why they would want to be human in the first place is closely tied to Buddhist beliefs. In short, being human is a step or two above spirit/devil-serpent on the great wheel of Death and Rebirth, a sort of spiritual boost on the way to eventual Transcendence. The two snake-women, Mei Ling and Meilan, become wealthy by discovering an abandoned villa with a buried treasure, and soon after meet an apothecary’s apprentice named Li Fong, who they think is an agreeable young man and they decide to marry him, again as a further step in their quest to become fully human. Li Fong, charmed by their beauty and not exactly reluctant to part ways with his current master, agrees. Things are going swimmingly, until… Continue reading

Word of Podcast

If you’re interested in the sf/f field in general, the SF Signal web site is probably already familiar to you. This week they’ve put up one of their regular podcasts, this time a panel discussion on the state of the Swords & Sorcery (S&S)subgenre and where the genre is at the moment, (Episode 108): 2012 Sword & Sorcery Mega Panel Part 1
.    Panelists were:

Lou Anders is the editor of Pyr Books, Scott Andrews is the editor of  Beneath Ceaseless Skies, Violette Malan and James Sutter are authors, Jaym Gates and Patrick Hester are the SF Signal podcast moderators. Besides being an interesting discussion in itself for anyone even remotely interested in the subject (and I’m looking forward to part 2), it was interesting to me personally because my name came up several times as a modern S&S author in connection with the Lord Yamada stories.

I can see it. For one thing, as subgenres go, S&S is pretty mecurial. Any subgenre that can encompass at various times Robert E. Howard, Clark Ashton Smith, Fritz Leiber, C.L. Moore, Joanna Russ, G.R.R. Martin, and Michael Moorcock, has to be a bit of a moving target. For another, at various times in my development I was very deliberately writing S&S. For one thing, I went through an early phase where I didn’t read much else. For another, when I was first trying to break into the fantasy magazines (all maybe three of them at the time), S&S was in the ascendant, as hot or hotter than Steampunk is now. I wrote a fair bit of it, and apparently I still am.

I’ll grant you, I wasn’t thinking of Yamada as S&S when the series first came to me. I had him envisioned more as a Heian-era noire detective, sort of Sam Spade with a tachi. He quickly grew past that limited conception, and thank heavens for that, but the tone remained that of a generalist fantasy with mystery overtones. And yet the stories still easily fit under the S&S umbrella. I hadn’t thought of them that way, but it’s true, and perfectly fine with me.

Categories aside, I think this is the first time that my name and work has come up in a podcast that wasn’t a podcast of one of my own stories. Getting a reminder now and then that other people do read and like what you do doesn’t entirely suck.