Review — The Fantasy Writer’s Assistant by Jeffrey Ford

The Fantasy Writer’s Assistant and Other Stories by Jeffrey Ford.  Golden Gryphon Press, 2002

“Creation” is about what it says it’s about: A young boy undergoing religious training gives in to an impulse to create as God did, and succeeds…after a fashion. The rest of the story concerns the aftermath and the young boy coming to terms with the implications and responsibilities of his action. It’s one of Ford’s better known stories, and I’ve even heard claims that it “transcends genre fantasy.”  Sorry, no. This is what fantasy does. It’s the fun-house mirror that we hold up so we can see ourselves more clearly, and “Creation” does it very well. As for the “genre” part, well, genre is a marketing category, and to say something “transcends” a marketing category is pretty much a meaningless phrase. “Creation” is a damn fine fantasy story, and that’s more than enough. Continue reading

For Fritz Leiber

Saddened as I am by other more recent losses in the field, today I’m sending out props to the late Fritz Leiber. Why? Lots of reasons, but in the spirit of the Thanksgiving season, I’ll concentrate on the personal–Fritz Leiber was responsible for a revelation. For those of you (anyone? Bueller?) who are old enough to remember, the mid to  late 1970’s saw a boom in the Sword & Sorcery genre. Yes, it’s still around, sort of, but back then it was different. S&S was HOT, hot like urban fantasy hot, like Steampunk hot, if you can grasp that. As both a reader and a beginning writer, I got caught up in it. REH, the De Camp retellings, Andy Offutt, Gardner Fox for pete’s sake.

And then I found Fritz Leiber’s Fafhrd and Mouser series. I was a little too late to the party to have read them in the Cele Goldsmith Fantastic, as I said before, I came along in the Ted White era, but the Fafhrd and Mouser stories were being collected in book form by that time, and that’s where I found them.

Whoa. Continue reading

Losing My Religion

I’m going to get a little autobiographical here. Consider yourself warned.

I used to haunt the Post Office nearly every day. That is to say, I would check the PO box dedicated to writing correspondence, submissions, etc., every single day, save only holidays. By any reasonable standard, it was obsessive and overkill.  Considering the usual number of stories I had in circulation and the number of available markets, two, three times a week at most would have been plenty. Of course in my head I knew that at the time, but it didn’t stop me. Obsession and I were old friends. I’d often said that, if I didn’t have obsession, I wouldn’t have any discipline at all. It got the words out, the stories written. Now I actually do check the PO box once or twice a week, but of course these days I’ve switched my obsessive focus to email because that’s where the action is. Most submissions and acceptances and rejections, even contracts are arriving by email, and the Post Office lost its…well, I won’t say “luster.” It was the Post Office. It never had luster. Say rather its focus and attraction for me. Gone now. I do not really miss those daily trips to the Post Office.

Book stores, on the other hand…well, here’s where I start to worry a bit. Continue reading

Review: Beaker’s Dozen by Nancy Kress

BEAKER’S DOZEN by Nancy Kress, Tor Books, August 1998, Hc, 352 pp., ISBN: 0-312-86537-6

Nancy Kress is known as an Idea writer (Capital I with fanfare and flourishes) with a tendency toward polemic. I don’t think the reader can find better examples of both traditions often in the same story as are found in BEAKERS DOZEN. I also don’t think there’s a better capsule summary of both the potential rewards and pitfalls of either approach.

Kress starts the collection with her Hugo Award winning “Beggars in Spain.” This is arguably Kress’s most well known story, and it’s also a good introduction to her fascination with biotech. As the story opens, Roger and Elizabeth Camden are meeting with a geneticist to order the enhancements they wish for their planned child, rather like a young couple of an earlier time might meet the architect of the house they wished to build. The enhancement that Roger–but not Elizabeth—wants most is sleeplessness. He gets his way, with one glitch: instead of a single daughter, two are conceived. One with the enhancement, Leisha, and one, Alice, without. Continue reading

Story Time Update

It’s story time again. The new one, “Another Kind of Glamor,” originally appeared in Aeon #6, published by Bridget and Marty McKenna. Another good magazine that, alas, is no longer with us. You’ll recognize the cast, if not necessarily my take on them. The story’s original title was “A Midsummer Night’s Scream.”  I’ll leave it to you to decide which was more appropriate.