Just Open the Box, Dammit

I am Schrodinger’s Cat. And I’m getting a little sick of it, frankly. Is it too much to ask for the wave function to collapse already? Yeah, I know. At the end of it all I might be dead. I might not. But at least the whole mess will be #$@# settled.

Fine, it’s a metaphor. Or rather, a metaphorical description of an actual situation. (And for anyone who hasn’t a clue what I’m talking about, Google “Schrodinger’s Cat,” and you’ll find more than you ever wanted to know). The point is that I’m trying to be two things at once, and they are mutually exclusive things, so basically I’m at war with myself on a continual basis, and how’s that working out? Not so well. I know I’m not alone in this, in fact I strongly suspect that many of you out there are have the same problem, and this is it in the proverbial nutshell—I want my work to be well known and widely read. I personally do not want to be well known. But achieving one almost always negates the other, unless you’re writing under a pseudonym, and even that’s not a gurantee.

From a practical standpoint, writing is the perfect avocation for someone who doesn’t especially want to be noticed. Continue reading →

Pay No Attention to That Man Behind the Curtain

3rd Story CollectionAs the saying goes, there are some things you’re better off not knowing. Like how sausage is made, if you really like sausage. Still, if anyone’s curious (didn’t say you were. said “if”), here’s where the title of my third story collection came from:

In 1905, Lafcadio Hearn published a collection of pieces on Japanese legend called “The Romance of the Milky Way and Other Stories.” Including therein were several tanka written on the legend of the Weaver and Herdsman (also called the Romance of the Milky Way) from an 8th Century Japanese poetry volume, the Manyoushou. Here’s Hearn’s translation of one:

Amanogawa

Ai-muki tachité,

Waga koïshi

Kimi kimasu nari

Himo-toki makéna!

[He is coming, my long-desired lord, whom I have been waiting to meet here, on the banks of the River of Heaven…. The moment of loosening my girdle is nigh!]

When I decided to do my own take on the Weaver and Herdsman legend, choosing a title was the easy part. So credit where credit’s due: Thanks to Mr. Hearn, and the ancient poets of the Manyoushou.

I Have the Answer, but You’re Not Going to Like It

The old guard convention-going SF/F fandom is graying. There are younger readers, but they’re a distinct minority. The meme floating around now is that the established sf/f conventions are set in their ways, insular, almost reactionary in their clinging to the glory of conventions past. There’s much discussion across the interweb tube thingies about how to attract more young readers, how the convention circuit can be more teen friendly, many a cetera. Some of it even makes sense. Most, however…

[Sarcasm mode on.]

The graying of fandom is a problem easily solved—we just turn conventions like ReaderCon into media/anime/comic conventions. Look at DragonCon. It draws 30,000+ without breaking a sweat. ComiCon, 20,000+. What’s a WorldCon go these days, 5 to 6 thousand, if we’re lucky?  I mean, it’s a nice, hopeful idea that young sf/f fans are staying away from conventions because they’re not welcome, because their elders are doing something wrong. All the conventions have to offer are the best sf/f writers in the field meeting with fans, autographing, talking to each other and their audiences about their work and the field they love. Who wants to see that?

[Sarcasm mode off]. Now we get serious. Continue reading →

From Kudzu to Shizu

This is an account of a trip to Memphis my wife and I made several years ago. It’s relevant for the simple reason that it was my first real introduction to the artifacts and history of ancient China, and at least some of the interest I’ve developed over the years for Asian themes can be traced directly to it. Not to mention stories like “Golden Bell, Seven, and the Marquis of Yi,” (Black Gate, Nov. 2000) “Palace of the Jade Lion” (coming up in Beneath Ceaseless Skies next month) and my Mythopoeic Award finalist novella, The Heavenly Fox. Sometimes research is an Adventure. Continue reading →

Paging Mr. Bradbury

Fractures on Mt. Sharp

So it’s a little late, but I wonder if he got to see this before he left us. On the left is a picture from the slopes of Mt. Sharp, on the planet Mars. It is described as a strange geologic formation created by internal stresses and fracturing in the Martian surface. And no doubt that’s true, and interesting on the face of it. The gradual fading of the pattern on the perimiter suggests some natural process at work. Yet the romantic in me just cannot stop comparing this photograph to aerial photographs of archelogoical sites on Earth, especially the Southwest and Middle East. And I see walls and alleyways and rooms and houses packed close together for a people who had to cluster together around the site of scarce resources on a dying planet. Part of me, even though pretty much all of me knows better, would like to see this as the remains of a Martian city. I think I can lay at least some of this attitude at Ray Bradbury’s feet. I mean, he wasn’t the only one with such notions. Edgar Rice Burroughs was writing about Martian princesses and four-armed tharks before Ray Bradbury was born. But you obviously won’t find Dejah Thoris hanging out in a dump like that. This is The Martian Chronicles territory.

In a little over a month, assuming all goes well, NASA will be dropping a new robotic rover, the Mars Science Laboratory (MSL) into the vicinity, a rover with a pretty boring name but much more muscle and payload than Spirit and Opportunity carried. (See full article at Wired Magazine). I’m sure the MSL will get to the bottom of this, since Mt. Sharp is apparently on its agenda. And we’ll discover something marvelous, like a really strange set of perfectly natural formations due to internal stresses below the Martian surface. Perhaps even some insight into how geologic processes on Mars compare to similar ones on Earth. What’s the same, but also perhaps what is totally unexpected, which is the real prize and the sort of thing that usually precedes breakthroughs in our understanding of how the universe works. And I will think that is cool, too.

“Too?” Yeah, I know. But despite the slings and arrows and yadda yadda we all have to go through, I haven’t quite managed to lose that old-fashioned sense of wonder. Granted, it takes a lot these days to pump up the spark, but it hasn’t gone out completely. Still there, still smoldering. I think Ray Bradbury may have something to do with that.

And I’m still holding out for a city.