2016, Can’t Wait to See the Back of You

Yoshino-1Well, 2016 continues to suck. Last week I heard about the passing of Tammy Grimes. For those too young to know, she was an actress who won two Tony Awards for her work on the stage (for The Unsinkable Molly Brown and Private Lives). That’s all Wikipedia stuff and you can look it up if you’re interested, and all even before my time. I remember her best for two things: She was the voice of Molly Grue in the Rankin-Bass version of Peter Beagle’s The Last Unicorn (still one of my favorite animated films, excusing the duet between Lady Amalthea and Prince Lyr) and for the narration of several Edward Gorey pieces, especially The Wuggly Ump. Hearing her wonderful whiskey baritone hum of a voice rendering the final lines “…from deep inside the Wuggly Ump.” Gives me chills to this day. RIP.

What I thought was a short story might be turning into the first chapter of a novel. Still too early to tell, but the scope is shifting. This could be a good thing or a bad thing, but only bad if I can’t figure out what the story wants to be. After that it’s just seat of pants to the chair and fingers on the keyboard. I’m ready for something to go right.

Speaking of which, tomorrow here in the States we have a golden opportunity to make 2016 suck a little bit less for everyone here and around the world. Let’s not blow it.

“Don’t Share That! You Don’t Know Where It’s Been!”

What does this mean? Maybe it means there’s nothing new under the sun. Or there are only so many ideas that can exist at one time. Or someone else is always smarter than you are. Or Ray Bradbury’s passing has me unhinged and I need to talk about something at least marginally less depressing. Lots of potential significance to hand out, for those interested in significance. Sometimes I am. Interested, that is. Not significant. And I certainly wouldn’t rule out the “unhinged” part.

That bit of surreality brought to you by my prior reading, a collection of interviews with the likewise gone but always eccentric Edward Gorey. He said, among other things and I do paraphrase, “I have this crazy theory–I think that good art is not about what it seems to be about.” The interview was from, oh, twenty years ago or so. It just smacked me on the head because, now and then when I do panels at conventions, some wannabee/hopeful/beginner/glutton for punishment sometimes asks, “How do you know if a story you’re writing is going to be any good?” The obvious answer of course is “You don’t.” Even so, at least in my case, there eventually comes a point, usually before the end, when I do, in fact, know that I’ve hit the mark or missed it. And I’ve said it so many times it’s become my stock answer, mostly because it’s true: “For any given story, you have to ask yourself two questions: 1) What’s the story about? and 2) Ok, now what’s it really about? If I can answer both questions, then the story usually works.” This is not meant to be flip. On the contrary, it is deadly serious, since the first question refers to what happens in the story, but what happens in the story isn’t the story. On the surface, “Romeo and Juliet” is about a family feud, but that’s not what it’s really about. Anyway, Gorey said it first. Or at least before I did. Probably because it’s really obvious. Well, once you see it, that is. Like most “obvious” things.

Okay, there’s also something else we need to get out of the way while we’re both here–I have no Inner Child, okay? I am my Inner Child. I think Ray Bradbury is primarily responsible for that–he certainly led by example. So what I’ve got here is an Inner Fatuous Old Man, and sometimes he takes over. Maybe like now.

Just consider the source.