What Follows

Final-CoverYes, I’m talking about The Book again. Sorry about that, but that’s what’s going on right now, so it remains the subject of the moment. Late last week I learned that the distributor was out of copies. I had to take a moment to digest that. Savor, actually. I mean, think about it–the outfit in charge of getting the book into sales venues was out of stock. Which meant that the book  was being ordered. Which meant that there was demand. Which meant…well, let’s not get too crazy. The point is that the distributor was not sitting on piles of stock that no one wanted. In fact, Prime had to send out the rest of the copies they had on hand so that the distributor could handle their orders. So now the publisher is out of stock. All remaining copies are either 1) at the distributors or 2) at the bookstore(s). This is, what we in the business like to call, “a good thing.”

So what does this mean? Hard to say right at the moment. Distribution aside, the numbers look good. Actual sales are at a brisk rate, and at the very least odds are good that the publisher won’t lose money on the book. They might even make a buck or two. This is important for obvious reasons. A publisher might love your work, your editor might even believe you’re a genius, but if your books don’t sell, none of that matters much. Most publishers, especially smaller presses, can’t afford to publish books that no one wants. When a book does well, the publisher is more inclined to want another one from you. Simple as that.

Here’s the thing—if you’re a writer, you want to write. Which is fine, because who’s stopping you? If you don’t have time, you’ll reset your priorities until you do have time. If the work isn’t going so well you hang in there until your creativity decides to wake up and join the party. Even a fallow period—they happen—is understood to be temporary. Problem is, we’re greedy. We don’t just want to write—we want to be read, too. We, narcissists that we are, want to think that what we write matters, even a little. Sure, you can self-publish, and there are even times when that makes sense, but without a readership in place it’s a long slog to get one, and the readership is what you really want. We have more options these days, sure and yippee, but publishing through a competent traditional publisher, large or small, is still the best way to find those readers, or rather, let them find you. Otherwise everything you write is just you, talking to yourself. I think there are psychiatric terms for that, none of them very flattering.

So we have to worry about the business side of things. Self-promote as best we can, do what we can do and still face ourselves in the mirror come morning. As others have pointed out time and again, writing is both an art and a business. Art comes first. After that, it’s business. We forget the second part at our peril.

Scenes From a Marriage #7 – Plus News.

 Scene: Sterling the Cat is sleeping curled up on the sofa table. Carol is pushing on his belly with her fingers, saying “Knead, knead, purr, purr” over and over.  Sterling the Cat takes no notice except to yawn and stretch, apparently enjoying what to him are scritches.

Me: What are you doing?
She: I’m giving Sterling a taste of his own medicine.
Me: Meaning?
She: He keeps kneading me like a loaf of dough and purring in my ear at 4AM!
Me: So you’re interrupting his sleep as payback.
She: Yep.
Me: That’s a cat.
She: Yes. So?
Me: You do realize that cats are immune to irony, don’t you?
She: Oh….right. Then I’ll pick him up and hug him!
Me: Good choice.
Sterling the Cat: (yawns)

 
Prime-Notecard-AdThere was a little more going on besides the metaphysical quirks of the house felines. For one thing, I’ve just confirmed that the Yamada novel, To Break the Demon Gate, has been delayed until later this year, probably November. Also, there was the spiffy Prime Books notecard that shipped with the February Locus, including Yamada Monogatari: Demon Hunter along with Future Games and Weird Detectives. Since I’m in 2 out of those 3 books, I rather liked it. Also, LightSpeed Magazine will be reprinting “The Man Who Carved Skulls” in a future issue. I’ll give a date as soon as I have one, but from the writer’s perspective, you gotta love reprints—the work’s already done and you get paid again anyway.

Speaking of work, I just finished the first story of the new year, working title is “The Nothing Boat.”  I’ll need to set it aside to cool enough before I look at it again, which is fine because I have another story to work on. And a novel to write. I’m going to be busy this year, I can tell.

 

Because Doing it Once Wasn’t Excessive Enough

Final-CoverOn Wednesday, January 30th, (tomorrow, as this post fits in linear time. Which is an illusion, but let’s not go there right now) Scott Andrews at Beneath Ceaseless Skies will be doing one more giveaway of a signed copy of Yamada Monogatari: Demon Hunter , this time on Twitter. You can see the full rules here, but basically all you need to do tomorrow between 2 and 6 PM Eastern Time is tweet the title of your favorite Lord Yamada story to Scott at @BCSmagazine. This will enter you in the contest, and the winner will be drawn at random.

Here is the list of Yamada stories that are available online at BCS, though of course you can name any in the series you want:

The Mansion of Bones(BCS #19; Podcast BCS 017)

Sanji’s Demon(BCS #38-39)

Lady of the Ghost Willow(BCS #53)

The Ghost of Shinoda Forest(BCS #63; Podcast BCS 055)

The Tiger’s Turn(BCS #79)

Three Little Foxes(BCS #105)

I’d enter, but I already have a copy. Though I probably will monitor the Twitter stream and make rude noises where appropriate. (Sorry, I went to a Blue Man Group concert last night and I’m feeling a bit fey at the moment. It’ll pass.)

Things That Make Writers Cranky, Things That Make Writers Happy

eBook cover for Ghost Trouble--The Case Files of Eli MothersbaughThings That Make Writers Cranky

Working on a story for a week or more, juggling nuance, testing for subtext, reading for continuity, trying to understand your own theme so that you’ll understand what the story is really about even if no one else ever does, doing all the things you know to do to make a story work.

And knowing all the time you’re sweating over the thing that, at this point in time and with the condition of the short story market, there isn’t any darn place anywhere that you can send it.

It’s no mystery why many writers drink. The real mystery is why they all don’t.

Things That Make Writers Happy

Milestones. We like them, probably because there aren’t that many. Unlike growing self-confidence and Writer’s Arrogance (a separate topic), there just aren’t many indications that you’re making progress, or getting it right. There are a few: your first non-form rejection (harder to parse in email, but possible). Your first re-write request. Your first story sale. Your first anthology invite. Your first novel sale. Your first award (any award) nomination. Your first “Best of the Year” nod.

One problem with a “career” that lasts more than a few years is that, after a while, you start running out of milestones, and as I said before, there aren’t that many to start with. Makes it a little harder to figure out where you stand. So I was pleased no end to finally hit another milestone last weekend: I walked into the local Barnes & Noble and found Yamada Monogatari: Demon Hunter on the “New SF/F” shelf. Now, granted, this isn’t the first time I’ve been in a book in a bookstore. Happened a lot with an anthology. But my one previous novel sale was to a publisher who specializes in selling to libraries, so the book didn’t get general distribution. I’ve had three other collections, but most collections don’t get general distribution either. This was the first time a book that was “MINE! ALL MINE!” was in a bookstore that I could walk into and find it there. Just like any other real book.

So another first, and I was positively giddy. And, trust me, I haven’t been giddy in a long, long time.

FYI: I’m slowly working through my backlist in an attempt to make everything that is currently available, currently available in all formats. So GHOST TROUBLE: THE CASEFILES OF ELI MOTHERSBAUGH now has a print edition. For those of you who like your books to be, you know, tangible.

Yamada Monogatari: Demon Hunter Giveaway

Final-CoverI’m breaking my relatively normal late week silence to announce that Scott Andrews at Beneath Ceaseless Skies Magazine is giving away two (2) signed copies of Yamada Monogatari: Demon Hunter. I’ve only signed three copies total and Scott’s giving away two of them. All you have to do for a chance to win the first copy is leave a comment on the Contest Page listing the title of your favorite Lord Yamada story, and why that’s your favorite. Scott has helpfully given links to all the Yamada stories that have appeared in BCS, so if you haven’t read any of them, you can correct that immediately for your chance to win. The second giveaway will be through a contest on Twitter. I’ll give details when there are any, but the first one will probably be the easiest to get in on.

Contest aside, BCS has rapidly become the premier venue for literate adventure fantasy, so if that’s your cup of tea, you’ll find a neverending pot brewing there. Check it out.