There Are No Ivory Towers

sheffield1Not for us, anyway. Case in point, the illustration to the left. That is Sheffield. He is the elder (we think) of our two cat brothers, Sheffield and Sterling, sometimes referred to here as “Da Boyz.” This is the context–yesterday I started a new story. What it is or how it’s going to turn out is, for now, beside the point. What does concern us is the simple fact I had stolen the time for it from a period when I was supposed to be working on something else, and I had taken the time for that theoretical “something else” from other pressing projects. In short, I was writing in the mode of “guilty pleasure,” which is one of my favorite ways to do it. Seriously, I get some of my best work done when I’m supposed to be doing something else. A psychologist might make much of that, but I really don’t care. It’s just the fact, and being forced into early and I believe temporary retirement hasn’t changed that. Continue reading

The Draken Harald Hårfagre

DrakenProwMy new home town is situated in a river gorge, and both the Mohawk River and the Erie Canal pass right through it. So we were fortunate that the Draken Harald Hårfagre made it one of their stops in the their Canadian and US tour. The name translates as “Dragon Harald Fairhair.” The Draken Harald Hårfagre is the largest Viking ship built in the current age. Named in honor of King Harald Fairhair (sometimes also translated as “Prettyhair”, the dude clearly had some major locks), the first King of Norway and modeled after the Gokstad Ship. On Saturday and Sunday the ship itself was open for tours, and who with a modicum of interest in history is going to pass up the chance to stand aboard a real viking ship? It’s not like that happens every day. So we braved the crowds and headed down to the marina. Continue reading

Short Stories, Novels. Nothing about WorldCon

Detail From Spencer Park Dentzel Carousel - Kevin Burkett http://www.flickr.com/people/kevinwburkett

Detail From Spencer Park Dentzel Carousel – Kevin Burkett
http://www.flickr.com/people/kevinwburkett

Whenever a thought occurs before posting, said thought being along the lines of “Who can I annoy today?” it’s probably a bad time to be posting anything. Yet I’m going to do both now and again, so best to get on with it.

I’ve been thinking of the short story again as it relates to novels, since I’ve had more than enough reason to consider both lately. I know we’ve been over this before, yet I can’t say that my basic position has changed. Which is: If you want to write novels, write novels. If you want to write short stories, write short stories. If you want to do both, well, come sit next to me and we can compare notes. I’ve also noted some discussion here and there on the idea of the “natural” novelist as opposed to the “natural” short story writer, the theory being that your brain’s wiring tends to push you in one direction or the other. I think it’s true up to a point. I know we can all think of examples of the brilliant short fiction writer who can’t do novels, and some novelists that wouldn’t recognize a short story if it bit their ankles. Yet I wonder how much of this is based in biology and how much is training and craft.

There was a time when whatever notice I’d gotten as a writer was for short stories. Then the Yamada Monogatari series transformed into a novel series and I haven’t published an original short story in two years. That has to change, or at least balance out a bit. I love short stories. I love to write them and (when I get the chance) to read them. Yet I’ve also loved a novel or two in my time and one of the very earliest pieces of writing I ever did turned out to be a novel. And I don’t claim to be a “natural” anything. It took me a lot of time and work to reach professional level at short fiction. Novels were no different. Like writing anything, it’s a learning curve and we learn by doing.

Some people still think that they should write short stories first because they’re stepping stones to novels. Like many cliches, there’s a grain of truth in it. Short stories can be a way to get your name in front of the readers. Also, there’s nothing like getting paid for something you’ve written to make one think, perhaps, you’re on the right track. You might even get the attention of book editors. Heaven knows it has happened before. But it’s just as likely you’ll publish short stories that vanish, as we’ve oft noted, “like rose petals in the Grand Canyon.” You’ll have spent months, years, perhaps decades doing something other than what you really want to do and be no closer to achieving it.

Still can’t think of that as a good idea.

 

Yamada Monogatari: The Emperor in Shadow Ebook Live

YamadaEmperor-600We interrupt whatever this normally is for a strictly commercial announcement: Yamada Monogatari: The Emperor in Shadow is now live on Kindle, Apple/iTunes, and Nook. It’s a little unusual for the ebook edition to be available before the print edition goes live, but this time those preferring their reading on the screen will get a headstart. Enjoy!

Muse and Writer Dialogues #12

New Desk

New Desk

FADE IN

A room that passes for an office. There are bookshelves on two walls, a motley assortment of carvings, signed storyboards, and five guitars, but a lot of it isn’t on the walls yet. Except for the five guitars of various makes and models. The desk faces a blank wall. To the left is a window, and beyond that is a brown radiator cover with a printer perched on top. The floor holds paint, tools, and painting supplies, and an unopened window unit A/C awaiting installation. Rather like the artwork. WRITER is sitting at the desk staring at an almost blank screen. MUSE enters. From somewhere. She’s in Greek Goddess mode.

 

Muse: So these are the new digs. It’s a mess.

Writer: Don’t pretend to be surprised. This isn’t your first visit.

Muse: You mean while you were writing that last book? I had nothing to do with that.

Writer: So who was that, then? Your evil twin?

Muse: Nonsense. I AM my evil twin. I said I had nothing to do with the last book. I didn’t say I wasn’t here.

Writer: Is that an editorial comment? I thought the book turned out rather well.

Muse: You would, but that’s not what I meant. I meant you didn’t need me. Unusually for you, you had it pretty much worked out before you even started and you weren’t waiting for inspiration. You were going blue blazes most of the time. It was almost…impressive.

Writer: It’s not as if I had much choice. The deadline was fast approaching and I got a late start because of the move. So much got blown up last year. I was damned if I was going to let what passes for my writing career do the same.

Muse: And?

Writer: And the series had been heading for this ever since it began, so it wasn’t as if I could get lost now. I did know where I was going, but that’s only because your job was done before I even started. That really was impressive. Not to mention efficient.

Muse: I’ll take that as a compliment. So what now?

Writer (blinking): What…? I should be asking you that. Isn’t that your job?

Muse: I’m only a convenient personification of the idea of inspiration, remember? I’m just in your head…along with whatever debris and found objects you turn into stories. So let me hand you a little bit of insight–you don’t get inspired.

Writer: I don’t…?

Muse (shaking her head): Never did. What you do is recognize stories when you see them, and then you follow them until they’ve given up their secrets. So why am I even here?

Writer: Well…I talk to myself.

Muse: I’ve noticed that.

Writer: Then you should understand I feel a little more anchored when I’m talking to someone else instead. That’s you.

Muse: Can’t imagine why. I’m just another voice in your head.

Writer: Say rather a convenient personification of the idea of inspiration, remember? Not quite the same thing. Besides, I don’t buy your argument. Recognizing a story IS inspiration, so far as I’m concerned. You’re just pissed because there wasn’t as much left for you to do on the last project and you got bored. Fine. It’s time for a new project.

Muse: Have it your way. I’ll try to help you out with the winkling out its secrets part. No promises on the inspiration part. We’ll see if you’re right.

Writer: All I ask.

MUSE: You do know I’m going to keep bugging you about the state of this office, right?

Writer: Wouldn’t expect anything less.

FADE OUT.