Scenes From a Marriage #4

Tax Time. The library undergoes its annual transformation from library/office to office/office. The computer is showing spreadsheets, not manuscripts or YouTube. Papers are being collected. It is during this “discovery phase” that a Certain Object arises to the light of day.

She: What is this?

Me: Ummmm…candy?
She (holding up Certain Object): Candy? CANDY??? This is CHOCOLATE.

Me: You’re right. Did you find the receipt for the ink while you were—

She: Don’t change the subject!

Me (frowning): I thought the subject was taxes.

She: The trivial stuff can wait. We’re dealing with this now.

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Review – The Devil Wives of Li Fong by E. Hoffman Price

The Devil Wives of Li Fong by E. Hoffman Price, Del Rey(Ballantine Books), 1979.

 E. Hoffman Price (1898-1988) was an old-school pulp fiction writer (“fictioneer” was his term for it) who, long after the pulp era ended, renewed his career by becoming a novelist in the emerging sf/fantasy field of the 1970’s and remained active right up until his death. He had a great and abiding interest in Asian mythology and religion, and both sides of that coin are evident in The Devil Wives of Li Fong.

The premise is that two female snake-spirits take on mortal form in a quest to become fully human. Why they do this and why they would want to be human in the first place is closely tied to Buddhist beliefs. In short, being human is a step or two above spirit/devil-serpent on the great wheel of Death and Rebirth, a sort of spiritual boost on the way to eventual Transcendence. The two snake-women, Mei Ling and Meilan, become wealthy by discovering an abandoned villa with a buried treasure, and soon after meet an apothecary’s apprentice named Li Fong, who they think is an agreeable young man and they decide to marry him, again as a further step in their quest to become fully human. Li Fong, charmed by their beauty and not exactly reluctant to part ways with his current master, agrees. Things are going swimmingly, until… Continue reading →

Handy Man is…Doing the Best He Can

I took a personal day yesterday to work on a plumbing problem, and do the taxes. I think the taxes were easier, and I worked on those for about seven hours straight.

I often have to pretend, but the truth is that I just don’t have the DIY gene. I do have a nail gun. And a table saw. Only someone who grew up with me can fully appreciate what a scary thought that is. See, I was raised in a family where DIY was not a lifestyle choice but an absolute necessity. If you couldn’t buy it, you built it yourself.  If you couldn’t build it yourself, you did without it. If it broke, you fixed it. There were exceptions but not many, and this covered everything from military surplus jeeps to jon boats, from garages to storage sheds and workshops. 

My maternal grandfather and uncle were simply amazing. If, for whatever reason, they had decided that they needed a high-energy particle accelerator, by damn they’d have built a high-energy particle accelerator, and likely did it with whatever scrap happened to be handy.  Ok, maybe I’m exaggerating, but not by as much as you might think.  All by way of saying that, whatever that gene is that they had in abundance, they didn’t leave any for me. I am, no other word for it, a klutz.  I learned how to do a few things with great difficulty, but as a general rule I wasn’t allowed near power tools, and it was a wise policy. Carol, otoh, thinks I can do anything. I’ve replaced light fixtures and fencing, installed ceiling fans and laminate flooring, built retaining walls and box lids. Basic stuff. Once she wanted a rose arbor, so I designed and built one.  It was ok. It even stood up to the elements for several years. She thought it was great.

All I could think was that, if either my grandfather or uncle saw it, they would laugh themselves silly. And yet I consder, could either of them write a story? Novel? I don’t think so. So whatever gene I did get, I’ll take it. And make do for the rest.

Witches: Wicked, Wild, and Wonderful

Somehow I let the publication date on this one slip by me. 

Prime Books, March 2012 ed. by Paula Guran

“Surrounded by the aura of magic, witches have captured our imaginations for millennia and fascinate us now more than ever. No longer confined to the image of a hexing old crone, witches can be kindly healers and protectors, tough modern urban heroines, holders of forbidden knowledge, sweetly domestic spellcasters, darkly domineering, sexy enchantresses, ancient sorceresses, modern Wiccans, empowered or persecuted, possessors of supernatural abilities that can be used for good or evil—or perhaps only perceived as such. Welcome to the world of witchery in many guises: wicked, wild, and wonderful. Includes two original, never-published stories.”

Content (alphabetically by author):
“The Cold Blacksmith” by Elizabeth Bear
“The Ground Whereon She Stands” by Lean Bobet
“The Witch’s Headstone” by Neil Gaiman
“Lessons with Miss Gray” by Theodora Goss
“The Only Way to Fly” by Nancy Holder
“Basement Magic” by Ellen Klages
“Nightside” by Mercedes Lackey
“April in Paris” by Ursula K. Le Guin
“The Goosle” by Margo Lanagan
“Mirage and Magia” by Tanith Lee
“Poor Little Saturday” by Madeleine L’Engle
“Catskin” by Kelly Link
“Bloodlines” by Silvia Moreno-Garcia
“The Way Wind” by Andre Norton
“Skin Deep” by Richard Parks
“Ill Met in Ulthar” by T.A. Pratt (original)
“Marlboros & Magic” by Linda Robertson (original)
“Walpurgis Afternoon” by Delia Sherman
“The World Is Cruel, My Daughter” by Cory Skerry
“The Robbery” by Cynthia Ward
“Afterward” by Don Webb
“Magic Carpets” by Leslie What
“Boris Chernevsky’s Hands” by Jane Yolen(less)