There and Back Again

IMG_0402I apologize for missing last Monday’s post, but I was on the road to our new home to take care of some prep before we take full possession. The house itself is that white edifice to the left of your screen, After thirty-three years the place where I made my living (and enabled my writing) closed down, putting me “quite at my leisure,” as Mr. Bennet might say,

So here’s the thing–we decided to leave. Most of my immediate family had moved out of state already, and with few ties to hold us, we decided to do the same, on the theory that I can be unemployed anywhere, so we might as well be somewhere we want to be. We chose upstate New York, trading brutal summers for brutal winters. I never said it was the smart thing to do. It probably wasn’t. It was, however, the necessary thing to do for reasons I won’t bore you with. We’re going to make it work.

View from Rte 167

View from Rte 167

IMG_0393

View from our back patio.

View of the Mohawk From Downtown.

View of the Mohawk From Downtown.

I did manage to get a little writing done on the new book. All this has been quite a disruption, as you can imagine, but I’ll get it done. In the meantime, here’s some comment from Publisher’s Weekly on The War God’s Son:

“… With a refreshingly conversational narrative, Parks captures the different facets of Japanese mythology and visions of the supernatural. Lord Yamada is a complex and entertaining protagonist, and his personal battles, whether with demons or his relationships with women, are compelling. Parks creates a rich world, further proving that in this series, nothing is as it seems. Suspenseful and often thought-provoking, Parks’s work is a delight to read. (Oct.)”

Publisher’s Weekly Comes Through

Yamada_BTG_cover-V06b-PrimeOne problem with the writer existence is that it’s feast or famine, and there is an awful lot of famine. But, now and then, a feast. Last night I got an IM from my publisher telling me to check my email, and sitting there was a link to a Star Review in Publisher’s Weekly for Yamada Monogatari: To Break the Demon Gate. I’ve only gotten one of those before. You can read the entire review here, but one takeaway is in the final line.

Playing with Japanese demonology and political scandal, Parks creates an absorbing and original tale.”

I’d only quibble with the first line of the review, wherein I am proclamined to be “prolific,” which I know I am not, or at least not nearly enough. As for the rest, you can’t beat that, not even with a really big stick.