Scenes From a Marriage

At the last writer’s group I scribbled a note to myself on the back on a manuscript I was working on. First reader saw it lying face down on the printer with the note clearly visible.

She: “What’s this? ‘VooDoo Christmas’? Is this what this story’s about?”

Me: “No, that one’s not ready to show yet. The note is my assignment for next week. 500 words on the theme ‘VooDoo Christmas.’”

 She: “You mean like Papa Legba meets Papa Noel?”

Me (Having that flash of RECOGNITION in mid sentence): “No…I mean YES! That’s it exactly!”

And it was. “Cold Christmas,” finished this morning. Only it was 1300 words, not 500. Whatever the story wants, the story gets, but still pretty short for a story from me. But all kudos to First Reader. My story, but her idea.

Do-Over

I was never happy with the original cover of A Warrior of Dreams. It had the right surreal quality, but the presentation made it look a little too much like an afterlife fantasy, which it emphatically was not. So I’ve done…well, not tweaking. More of a makeover.

Edited to Add: As part of my general glee over fixing the cover, I should mention that the Kindle edition is available as a free download today and tomorrow only (2-13-2012 and 2-14-2012). There won’t be any more free promotions for this title, so now’s the time.

In Which I Refuse to Share

 Some time ago it was announced that Eoin Colfer was going to continue the Douglas Adams’ Hitchhikers Guide to the Galaxy series. I had an immediate, gut-level reaction that made me pause. I realized that it was the same reaction I have any time that I hear that another writer is going to continue a now-deceased or otherwise incapacitated writer’s series, or set a book in the same universe with the same characters that made the original writer famous, well-loved, or extremely profitable to his or her publisher. It doesn’t even have to be a series I know and love, like HHGTTG. Even if I’ve never read that writer before,  my reaction is always the same: 

“No, s/he isn’t.” Continue reading

So Where DO You Get Your story Ideas? – Part 2

Back in So Where DO You Get Your Story Ideas? I was making the point that “ideas” as such really weren’t the issue most of the time. The trick was to recognize a story when you saw one. I don’t take back any of that, but it occurred to me that it wouldn’t hurt to clarify a bit. Some people, especially in the beginning of their development, tend to confuse “story idea” with the story itself, as in, boom, you get the idea, and the story immediately springs to mind, fully grown, like Athena sprouting from the brow of Zeus, and that’s not happening, therefore you’re just not getting story ideas, and What’s Wrong With Me!!?? If you find yourself in that particular panicky death spiral, take a breath, relax, and try to understand that, odds are, there’s nothing at all wrong with you. What you lack isn’t brains, or imagination, but experience. Brains and imagination, so far as I know, you either have or you don’t. Experience is something you have to earn.

Just to be clear, I’m not saying that stories don’t sometimes appear fully grown and ready to be written down. It does happen, and it’s a grade A rush. But it’s not a story idea, it’s the story. Not the same thing at all. If it was, then recognizing a story idea would never be a problem. In truth, you’d have to be pretty dense, tired, or distracted to miss one. Usually, they’re a bit more subtle. I tend to think of story ideas like a light switch in a dark room. You fumble around a bit, find the switch and recognize it for what it is, flip it on and bang! Illumination. Now you can see what you need to see to do what you have to do. If what you’ve found really is a story idea, then that flash of illumination will always follow. That’s how you know you were right, but the initial recognition is the crucial step, and we’re back to that. How do you recognize a story? I said some things last time that I think were true enough, but when you boil them all down to essence, there’s only one way to learn how to recognize a story.

Continue reading

Black Kath’s Daughter – Corporeal Edition

Canemill Publishing Edition

I was a little hesitant to take this step, but as has recently been emphasized to me, not everyone has joined the ebook revolution. Odd that an old print snob like me had to be reminded of this, yet there it is. So. Today I’m announcing that, yes, there will be a trade paper print edition of Black Kath’s Daughter. In fact, it’s already orderable through CreateSpace. The Amazon page should show up in a few days. If you’re one of those people who think Amazon is the root of all evil, you can also order it through your local indie bookstore or even a B&N. It’s a real book. It has ISBNs and everything:

ISBN: 0615594778

EAN13: 978-0615594774

Putting this edition together has been an experience. I mean, I’m glad I did it, I learned a lot, and I won’t swear that I won’t do it again (in truth, I’m pretty sure I will), but it did remind me of just how much I don’t want to be a publisher. Getting a book into print is a lot of work, but that’s the least of it. The big drag is time. I only have so much, and when I’m editing, formatting, designing a cover, and proofing, I’m not writing. If I’m not writing, then what’s the point of all that other stuff?

Anyway, book is published, and I’m writing a new story. The fabric of reality is still holding up. For now. And if there is anything else of mine that now only exists in phosphors that you would like to see get a print edition, let me know. I may not write to the market but I do take requests.