Beneath Ceaseless Skies #150

Scott Andrews has published his 150th issue of Beneath Ceaseless Skies today, including my own “The Manor of Lost Time.”   This from Scott’s own description of the issue:

“BCS #150 is out today! A special double-issue, in honor of our 150th issue.

It includes “The Manor of Lost Time,” a story of demonic imprisonment by Richard Parks, author of the Lord Yamada tales, and “The Inked Many,” a novelette by Adam Callaway set in the Ars Lacuna world of strange ink and writings that has been featured in his many other BCS stories.

Plus “The Black Waters of Lethe,” a short piece of maddening isolation by Oliver Buckram, and “The Unborn God,” a tale of strange discovery and quest by returning BCS author Stephen Case.”

There’s lots more, including a giveaway of Brandon Sanderson’s hardcover novella “The Emperor’s Soul” (a Hugo winner) and a reprint of my “In the Palace of the Jade Lion” from issue #100. That’s become one of my favorites of my own stories, not that this should influence you or anything. And sometimes I think the characters in “The Manor of Lost Time” deserve their own book, but that’s further down the road. Regardless, check out the issue. Tthere’s a lot there for any lover of adventure fantasy.

Edited to Add: A couple of times lately I’ve gotten anonymous comments on the blog. Nothing abusive, and I know sometimes there are legitimate reasons for keeping your identity on the down-low. I don’t mind, and I’ll respond to those comments indirectly where appropriate. But I can’t clear anonymous posting for public display on this blog for obvious reasons. Thanks for your understanding.

We Are the Champions

Yamada_BTG_cover-V06b-PrimeEven as I started thinking about this subject, I had to flash back on a classic George Carlin routine: “My needs aren’t being met!” The answer to which was: “Then get fewer needs.”

We try. In some ways the tools of being a writer are some of the simplest for any avocation you can name. Most of our tools are internal, so no stocked shop, power tools, grinders, wrenches…just time, space, paper and pen. Which is, of course, rubbish, and you can see the flaws right away. I mean, sure, you can write with a pen and paper, but when it comes time to actually do something useful with what you’ve written, at the very minimum you’re going to need a way to produce typed copy. In theory a working typewriter will do, but in practice you’re generally talking about a computer and email. Perseverance is a matter of personality and just how long one can bash your head against a brick wall, but basic functioning as a working writer is another matter. There are things required. So that got me thinking about what writers really need, as opposed to, say, what we want. Continue reading →

Reprints, This and That but not the Other

Now that the contracts are signed and everything’s more or less final, I can mention that I’ve sold a reprint, “Lady of the Ghost Willow” (Beneath Ceaseless Skies) toThe Mammoth Book of Warriors & Wizardry ed by Sean Wallace. It should be out later this year. The lineup is impressive, see below.

 

 

 

 

Continue reading →

Yamada Monogatari: To Break the Demon Gate

Yamada_BTG_cover-V06b-PrimeOkay, those of you who follow me on Facebook will have seen this already, but that was a shared post from the publisher and wouldn’t display properly here. Now I have my own copy and can show the probably final cover for the US edition of Yamada Monogatari: To Break the Demon Gate. That’s actually the link for pre-orders, and if you follow it you’ll see the original (and temporary) cover, which the publisher hasn’t yet updated on Azon but no doubt will real soon now. I don’t have any updates on the UK edition still (I hope) slated for this month, but the US edition is firm for December as the official date, meaning it’ll probably be ready sometime in November. Regardless, this is the second Lord Yamada book but the first Lord Yamada Novel. I hope to have an announcement on the status of the second Yamada novel before too much longer.

Here’s the blurb for To Break the Demon Gate:

“Yamada no Goji is a minor nobleman of ancient Japan who has lost everything-except a single purpose: keep a promise to the woman he loved. In order to fulfill his vow, all he has to do is fight a horde of demons and monsters, bargain with a few ghosts, outwit the sinister schemers of the emperor’s court, find a way to defeat an assassin who cannot be seen, heard, or touched-and change the course of history. Fortunately, Yamada specializes in achieving the seemingly impossible, so he is sure in some way to succeed . . . if he doesn’t drink himself into oblivion first.”

Oxford, Mississippi

RowanOak-Approach

A week ago Wednesday was Carol’s and my anniversary, so we decided to take a day trip up to Oxford, MS, primarily to take a couple more things off my bucket list—visit Square Books in downtown Oxford and, what the heck, make a pilgrimage to William Faulkner’s beloved home, Rowan Oak. Two more things off our list of things to do before/if we leave the state.

Square Books is one of those places that people tend to moan the disappearance of, except so far I can tell, local independent bookstores are doing just fine. The ones I know have been around for decades and show every sign of being around for decades more. The only picture of the actual store I have has Carol in it, and I’ve been threatened with bodily harm if I post it, so I won’t. I’ll just say that the place is a bibliophile’s dream, and it left me a bit depressed. I’m still working out why.

After that it was off to Rowan Oak. I do see why he loved the place—the grounds are lovely, the house was at once grand and still homey. I know you’ve all heard the story of the time Faulkner was in Hollywood and finally told his bosses he needed to work from home, he couldn’t concentrate in his studio office. So they said fine, assuming he meant his rented digs in Hollywood, but of course he meant Rowan Oak, and he was on the next train out of there.

Faulkner-BedroomFaulkner-Office-MantelFaulkner-Wall-Notes

I haven’t taken too many pictures, because all I had was a camera phone with really crappy battery life, the light was poor, and the battery was dying even as I got these few. Most won’t need explanation, but I did get one shot of the walls of Faulkner’s home office. Apparently he had the habit of writing blocks of continuity/daily notes on the walls. The shot was hard to get, but you might be able to see a little bit.

The last shot is just of a really old and mystical osage orange growing in front of (and I feel weird even saying it) the servants’ quarters. In some ways Faulkner’s world seems hundreds of years in the past, but it wasn’t that long ago. What’s the adage? “The past isn’t gone. It isn’t even the past.”

Note: My apologies to anyone who gets this twice. I was having problems with the pictures and had to redo the whole thing to get them to display properly.

Faulkner-Osage-Orange